THE 250

Moving on...

2011-02-15T23:31:00.000-08:00

Hello Everyone.

When I started THE 250 over a year ago, there was hope that it would lead me somewhere. As some of you already know, on February 1st www.flick250.com had it's BETA launch. I am truly excited for what's to come from this site. The site is currently focused on reviewing movies in 250 words or less along side a live twitter feed of said movie. We are having a lot of fun at the site and are rolling out more features weekly. I'll post some links at the bottom of this post, but I just wanted to take the time to say thank you to everyone. Being a film critic has always been a dream for me, and THE 250 was the first baby-step in that journey. With www.flick250.com I look forward to completing that dream. Thanks again everyone, you have been and still are the best!

Sincerely!

Joey Wright

Flick250

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1st Annual Joenose Awards

2011-01-17T19:53:00.000-08:00

Instead of giving you a list of five nominees and then picking a winner, I decided to do something a little different. I am sure someone else does it this way too, but it's different than anyone I personally know. The first name listed would be my winner. The second name would be my runner up in it's respective category. Lastly, the honorable mention recognizes a film or performance that probably wouldn't win awards, but still deserves some recognition. Enjoy.

BEST FILM

BLACK SWAN : I haven't seen a film I've loved this much since probably Almost Famous, which happens to be my favorite film of all-time. Rarely does one film give me such a smorgasbord of everything that I love about the movies. Natalie Portman is amazing (more to come below). Darren Aronofsky is masterful at the helm (more to come below). And that final scene still amazes me each time. The year two thousand and ten will forever be known to me, as the year of the swan.

Runner Up: The Social Network

Honorable Mention: Exit Through the Gift Shop - Is it real or is it fake? Who gives a flip. What starts out as a documentary about the underground street art movement, turns into an amazing character study of overnight celebrity.

BEST DIRECTOR

DARREN ARONOFSKY (Black Swan) : This man knows how to portray an athlete as something more than a figure on a poster. The way he takes time to break down the everyday rituals of his protagonists adds depth to the character, while giving us a sense of empathy. He took a beautiful and graceful base story, and broke it down into something sinister and raw.

Runner Up: David Fincher (The Social Network)

Honorable Mention: John Cameron Mitchell (Rabbit Hole): Anyone who has seen Cameron Mitchell's other works, Hedwig and the Angry Inch or Shortbus , knows the director likes to think out of the box and be as eccentric as possible. With Rabbit Hole he shows a new found sense of maturity while sacrificing none of his talent.

BEST ACTOR

JESSE EISENBERG (The Social Network) : Few actors dedication arrived on the screen this year with such effortless power. Not once did his performance seemed forced or over the top. He really made you care for the character and person that is Mark Zuckerberg, who deep down is almost like an alien trapped in a foreign society. If nothing else, Eisenberg cemented his place in Hollywood for years to come.

Runner Up: Tahar Rahim (A Prophet)

Honorable Mention: Ryan Reynolds (Buried) : With all the love going to James Franco in 127 Hours, the true shining "oh shit I'm trapped" performance goes to Mr. Reynolds.

BEST ACTRESS

NATALIE PORTMAN (Black Swan): Five years ago when I saw Natalie Portman in Closer, I knew she had in herself a truly great performance. Although not even I knew it would be this great. She made rather novice ballet dance skills look completely professional. Her transformation still stuns me on repeat viewings (currently holding at five times). To roughly quote the film, "she was perfect... she was perfect."

Runner Up: Nicole Kidman (Rabbit Hole)

Honorable Mention: Tilda Swinton (I Am Love) : I have never been a fan of Tilda Swinton. Up until this film I downright loathed her as an actress. Her keen Italian verse paired with a very natural performance, opened my eyes to a mistake I've probably been making for years.

SUPPORTING ACTOR

CHRISTIAN BALE (The Fighter) : Bale's performance took a very typical sports film and gave it actual substance. I did not care for The Fighter as a film, but you cannot deny the magnitude of Bale's talent and performance. Worth the price of admission just to see him in the role of his career.

Runner Up: Geoffrey Rush (The King's Speech)

Honorable Mention: Stanley Tucci (Easy A): I am not saying that his performance was Academy Award worthy, what I am saying though is this guy made me laugh. Tucci gives us all a model father figure full of hilarious one-liners, that made you feel like he not only cared about his kids, but completely understood them as well.

SUPPORTING ACTRESS

LESLEY MANVILLE (Another Year) : Manville's portrayal of a woman who is not exactly ready to accept the changes that come with getting older is played uncomfortably perfect. It is one of the most under appreciated and well paced performances of the year. If you are a fan of Ricky Gervais or Steve Carrel's cringe-worthy moments of either version of The Office, Manville is not to be missed.

Runner Up: Jacki Weaver (Animal Kingdom)

Honorable Mention: Chloe Moretz (Kick-Ass, Let Me In) : Sure Jennifer Lawrence was great in Winter's Bone and Hailee Steinfeld shined well beyond her years in True Grit. However, no young actress beat men three times her age to a bloody pulp this year like Chloe Moretz. She was the one you left Kick-Ass talking about for days and her subtle performance as vampire stuck at the age of twelve put all the Twilight gang to shame in Let Me In.

BEST CINEMATOGRAPHY

HARRY POTTER AND THE DEATHLY HALLOWS PART 1 : No film looked better on screen this year that the latest installment in the Potter series. Many scenes looked as if they could be framed as pieces of art. At times, it became a distraction from the story. Although, it never becomes overbearing and is pure bliss for the viewer.

Runner Up: Black Swan

Honorable Mention: Enter the Void : Almost the entire film is shot through the eyes of our main character, which includes blinking every thirty seconds or so. Pair that with the background of Tokyo, and you have yourself a film the likes you've never seen.

BEST SCREENPLAY

THE SOCIAL NETWORK: Aaron Sorkin's brilliant screenplay is really what prevented this film from being just a visually stunning Pirates of Silicone Valley. Not only is it the best screenplay of the year, but it could be one of the sharpest adapted for the big screen.

Runner Up: Black Swan

Honorable Mention: Four Lions : Imagine how difficult it would be to make terrorism funny. Somehow this little spoken of British comedy is the best laugh that country has leaked since Shaun of the Dead. Relying more of banter than sight gags, the lines move so fast that repeat viewings are necessary.

BEST VISUAL EFFECTS

INCEPTION : I still cannot get that hallway fight scene out of my mind.

Runner Up : Scott Pilgrim vs. The World

Honorable Mention: The Social Network - If you are saying to yourself, "What visual effects were there in The Social Network?" Well there is really only one, and that is how good it was. Hint: The twins aren't actually twins!

BEST FOREIGN LANGUAGE FILM

I AM LOVE : This tale of love and finding true happiness really caught me by surprise. Tilda Swinton's Italian film debut, as I mentioned earlier, is my favorite of her performances. The cinematography is gorgeous, although it has a beautiful canvas to work with.

Runner Up: Mother

Honorable Mention: The Girl With the Dragon Tattoo - Sure it was popular and a little too reminicent of Silence of the Lambs at times. Although it opened up a new audience to foreign cinema and I have to give some credit to a film that does that.

ANIMATED FILM

TOY STORY 3 - I have not talked to one person who didn't just love this film, and how could you not? A familiar cast of characters that we've all grown to love in their final curtain call. The moments go from "they wouldn't would they" to "that was the perfect ending." A great goodbye to old good friends.

Runner Up: How to Train Your Dragon

Honorable Mention: Tangled - A great improvement on the Disney Princess film with a fun cast of characters. Once again Disney proves their greatest characters can be achieved with absolutely no spoken word (Maximus the Horse).

BEST SCORE

THE SOCIAL NETWORK - Trent Reznor and Atticus Ross' brilliant music has not left my stereo since I purchased it back in September. Great music to write to or clean the house. I am sure that's not what they intended, but it also serves as the perfect back drop for the film.

Runner Up: Black Swan

Honorable Mention: Harry Potter and the Deathly Hallows Part 1 - A dark and myseterious score, which lined up perfectly for the first part of the last installment in the Potter series.

WORST FILM

THE NUTCRACKER 3-D - Imagine if Springtime For Hitler, the fake musical within Mel Brook's The Producers, didn't realize it was bad... and had a scene of electrocuting a great white shark... yeah that actually happens. Worse twelve dollars I have ever spent... oh yeah, it's in 3-D.

Runner Up: The Human Centipede

Honorable Mention: Despicable Me - In a year of fantasic animation, this was the turd of the bunch. I am glad that I got to use the word turd in my year end awards post. For that reason alone, Despicable Me wasn't that bad I guess. Wait, yes it was.

Golden Globes

2011-01-16T14:52:00.001-08:00

* who I would pick in bold.

** who I think will win in italics.

*** italics and bold indicates the correct winner was chosen.

BEST PICTURE - DRAMA

Black Swan

The Fighter

Inception

The King's Speech

The Social Network

BEST ACTOR - DRAMA

Jesse Eisenberg (The Social Network)

Colin Firth (The Kings Speech)

James Franco (127 Hours)

Ryan Gosling (Blue Valentine)

Mark Wahlberg (The Fighter)

BEST ACTRESS - DRAMA

Halle Berry (Frankie and Alice)

Nicole Kidman (Rabbit Hole)

Jennifer Lawrence (Winter's Bone)

Natalie Portman (Black Swan)

Michelle Williams (Blue Valentine)

BEST PICTURE - COMEDY

Alice In Wonderland

Burlesque

The Kids Are All Right

Red

The Tourist

BEST ACTOR - COMEDY
Johnny Depp (Alice in Wonderland)
Johnny Depp (The Tourist)
Paul Giamatti (Barney's Version)
Jake Gyllenhaal (Love and Other Drugs)
Kevin Spacey (Casino Jack)

BEST ACTRESS - COMEDY
Annette Bening (The Kids Are All Right)
Anne Hathaway (Love and Other Drugs)
Angelina Jolie (The Tourist)
Julianne Moore (The Kids Are All Right)
Emma Stone (Easy A)

BEST SUPPORTING ACTOR
Christian Bale (The Fighter)
Michael Douglas (Wall Street 2)
Andrew Garfield (The Social Network)
Jeremy Renner (The Town)
Geoffrey Rush (The King's Speech)

BEST SUPPORTING ACTRESS
Amy Adams (The Fighter)
Helena Bonham Carter (The King's Speech)
Mila Kunis (Black Swan)
Melissa Leo (The Fighter)
Jacki Weaver (Animal Kingdom)

BEST ANIMATED FEATURE
Despicable Me
How To Train Your Dragon
The Illusionist
Tangled
Toy Story 3

BEST FOREIGN LANGUAGE FEATURE :
Biutiful
The Concert
The Edge
I Am Love
In A Better World

BEST DIRECTOR
Darren Aronofsky (Black Swan)
David Fincher (The Social Network)
Tom Hooper (The King's Speech)
Christopher Nolan (Inception)
David O. Russell (The Fighter)

BEST SCREENPLAY
127 Hours
Inception
The Kids Are All Right
The King's Speech
The Social Network

BEST SCORE
127 Hours
Alice In Wonderland
The King's Speech
Inception
The Social Network

Top Twenty of 2010

2011-01-11T17:51:00.000-08:00

Before I divulge you into my top twenty films of the year, allow me to say that not since 1999, has a year at the movies completely blown me away. Usually I find it difficult to fill out twenty films that I enjoyed in a year. This year I debated and argued with myself to narrow it down to a very solid twenty films. Without furthur ado...

TOP TWENTY FILMS OF 2010

1. BLACK SWAN

2. The Social Network

3. Rabbit Hole

4. A Prophet

5. Inception

6. Four Lions

7. Toy Story 3

8. True Grit

9. Exit Through the Gift Shop

10. Blue Valentine

11. Another Year

12. The Secret in Their Eyes

13. Enter the Void

14. Scott Pilgrim vs. the World

15. The Kids Are All Right

16. I Am Love

17. Buried

18. The Tillman Story

19. Animal Kingdom

20. Winter's Bone

BOTTOM FIVE FILMS OF THE YEAR

1. THE NUTCRACKER 3-D

2. The Human Centipede

3. Burlesque

4. Paper Man

5. Rare Exports : A Christmas Tale

*in case you were curious, here are the sixty-nine films that i saw this year: Black Swan, The Social Network, Rabbit Hole, Inception, A Prophet, Four Lions, Toy Story 3, True Grit, Exit Through the Gift Shop, Blue Valentine, Another Year, The Secret In Their Eyes, Enter the Void, Scott Pilgrim vs. The World, I Am Love, Buried, The Kids Are All Right, The Tillman Story, Animal Kingdom, Winter's Bone, Harry Potter and the Deathly Hallows, How To Train Your Dragon, The American, Shutter Island, Please Give, The King's Speech, Catfish, The Illusionist, The Last Exocism, 127 Hours, The Killer Inside Me, Let Me In, The Girl with the Dragon Tattoo, I'm Still Here, Never Let Me Go, The Town, Easy A, Joan Rivers : Piece of Work, Frozen, Howl, The Fighter, Micmacs, Mother, Kick-Ass, Cyrus, Monsters, The Disappearance of Alice Creed, Country Strong, It's Kind of a Funny Story, Somewhere, The Other Guys, Paranormal Activity 2, Machete, Red, Conviction, Nowhere Boy, Knight and Day, I Love You Phillip Morris, Iron Man 2, The Girl Who Played With Fire, Get Him to the Greek, All Good Things, A Serbian Film, Rare Exports, Jackass 3-D, Paper Man, Burlesque, The Human Centipede, and The Nutcracker in 3-D.

BLACK SWAN

2010-12-08T19:11:00.000-08:00

BLACK SWAN (2010)

Directed By: Darren Aronofsky

Starring: Natalie Portman

Vincent Cassel

Mila Kunis

Rating: * * * * * (Five out of five stars)

Every few years, a film comes along that literally touches on every aspect of what's appealing in cinema. These films all seem to have great direction, a solid screenplay, career defining performances, beautiful cinematography, and a fitting soundtrack or score to help all these things blend perfectly together. It is not often that we are given all of these treats at once. So when they arrive, we must cherish them for all that they embody.

Black Swan is the story of a New York City ballet company's production of Swan Lake. Young dancer Nina (Natalie Portman) is casted as the swan queen, where she will play both the white and black swans. While Nina excels at the structured dance of the white swan, she lacks the improvisational passion of the black swan. Soon fellow dancer Lily (Mila Kunis), who embodies the spirit of the black swan, is casted as her understudy. It seems that the competition from Lily, combined with the stress from an overbearing mother (Barbara Hershey) and romantic and artistic tensions from the ballet company's director (Vincent Cassel), begin to challenge Nina's perceptions of reality.

Black Swan is one of those rare mentioned films that does excel on every level. Director Darren Aronofsky's attention to detail ensures that the film never hits a false note. The way in which he chose to interweave Nina's story, which roughly follows the tale of Swan Lake, with her performance in that very ballet is one of the best story within a story parallels that I have ever seen. Many films that attempt to do this can come off confusing to most, but this never reaches that point. There will be a few things you'll be discussing at the end, as far as what was real and what was imagined. Although, no definite answer to these questions gives it that degree of interpretation that so much of us love. Aronofsky is one of the better filmmakers working today, and in the case of Black Swan he gives his audience not just another great film, but his greatest film to date.

Keeping with the theme of "greatest to date", Natalie Portman gives the performance that will go on to define her career. Her dedication to the role of Nina shows a maturity and discipline that seemed to always be there. The transformation that Nina takes through the film is handled perfectly in Portman's hands. Throughout the film we see glimpses of what her character might mature into, but still when it happens you are left in awe. Portman has always had the talent to execute such a performance, it appears that she just needed a vehicle like Black Swan to do so. The Oscar buzz surrounding her performance is worthy of the hype, but I do feel like Academy voters might find it to be too edgy to award. Although it does have my vote, if they do indeed call this year for my thoughts, for best performance by an actress.

It's not just a two person show though, as there are many things to take from this film. It is quite a task to score a film that is a psychological thriller about ballet, but the score composed Clint Mansell fits perfectly. It's way of touching you at moments, and jarring you out of your seat at others was a refreshing surprise. Cinematographer Matthew Libatique's look of the film is constant throughout. It is in great part to him that the final ballet scenes of the film appear to be so stunning.

It's safe to say that I enjoyed Black Swan. It's a film that demands to be seen on the big screen, as it needs a large canvas to execute correctly. When looking at my "Best of 2010" list, Black Swan fills quite a few categories. With just a few films left on my list to see this year, I don't see many of those things changing. Black Swan is in theaters now in select cities and opens wide on Friday December 17th.

127 Hours (2010)

2010-11-27T18:33:00.000-08:00

DIRECTOR: Danny Boyle. STARRING: James Franco. RATING: * * * 1/2 ( Three and 1/2 Stars) Director Danny Boyle's follow-up to his Academy Award winning Slumdog Millionaire has been awaiting us on the horizon with an almost freak show like buzz. If you have yet to hear about the climax of the film, you are in the minority. For those who have heard, I will say that there is more to this film than just that one moment. The film focuses on the true story of Aron Ralston, who's arm becomes trapped under a boulder while climbing in the canyons of Utah. It's an unbelievable portrait of survival and a man possibly in the last moments of his life. Ralston is portrayed by James Franco who delivers his personal best performance. With limited options for movement and scenery, Franco really does about everything he can to keep us caring about his situation. Some might not care for the style of Boyle's films (Trainspotting and the grossly underrated Sunshine), but here it seems to work. He has always found interest in what's going on in a persons mind. Whether it be a drug trip, paranoia, or in the case of 127 Hours: the realization of impending death. While Franco's performance is great and Boyle's style and direction just seem to fit, Ralston's story can only go so far on film. The reality of his situation and his unbelievable story completely overshadow the film really. Some viewers might grow restless when fifteen minutes into the film, the set is about to never change. Overall though, 127 Hours excites, thrills, and ultimately inspires. Considering it's location limitations, it proves to be one of the best bets currently in theaters.

127 Hours Trailer

CONVICTION (2010)

2010-10-26T18:42:00.000-07:00

DIRECTOR: Tony Goldwyn. STARRING: Hilary Swank. Sam Rockwell. Minnie Driver. After having moderate success directing television the last four years, director Tony Goldwyn marks his return to film with Conviction. The film, based on a true story, focuses on Betty Ann Waters' (Hilary Swank) fight for her brother's innocence in a wrongful murder conviction. The film really falls short of "good" on many levels. The performances are all pretty lackluster, with the exception of Sam Rockwell. The story, which spans almost forty years, jumps so often it's difficult to determine how much time has passed between cuts. I couldn't help thinking that the story in the hands of a more accomplished director, would have connected better. Although not everything was terrible. As I mentioned before, Sam Rockwell gives us another solid performance. His innocent prisoner in waiting is provided the type of edge and humor that we all have all grown to love about him. There is no need to rush to theaters for this one, as a home rental should suffice quite well. RATING: * * (Two stars)

Conviction : Trailer

IT'S KIND OF A FUNNY STORY (2010)

2010-10-20T21:21:00.000-07:00

DIRECTORS: Anna Boden. Ryan Fleck. STARRING: Keir Gilchrist. Zach Galifinakis. Emma Roberts. It's Kind of a Funny Story isn't going to merit many awards, but that doesn't change the fact that it is a fairly good movie on many accounts. The character build up in the beginning does drag somewhat, but once everyone is introduced the film really starts to take shape. No one performance really stands out as something outstanding, with the exception of Zach Galifinakis. This is a much more subtle role for the comedian, who really knocks this performance out of the park. He shows a degree of talent not yet captured on screen for him. The easiest comparison for the film is a toned down One Flew Over the Cookoo's Nest crossed with Juno. Funny, quirky, and touching, this film has the makings for a fun date night out at the movies. RATING: * * * 1/2 (Three and 1/2 stars)

It's Kind of a Funny Story : Trailer

I'M STILL HERE (2010)

2010-10-19T17:52:00.000-07:00

DIRECTOR: Casey Affleck. STARRING: Joaquin Phoenix. Casey Affleck. Antony Langdon. I'm Still Here is an excellent portrayal of self destruction that might prove to be destruction itself. Joaquin Phoenix gives us his vision of a star destined to meet "rock bottom." As truly fake as this documentary is claimed to be, it would be hard to believe that many of Phoenix and director Casey Affleck's personal feelings towards "fame" are not expressed. There are laughable moments through out the film, but more where you are caught off guard at fiction seeming to be a little too realistic. If this film would have been the real deal, it's an certainty that Phoenix would be hard pressed to find a Hollywood gig anytime in the future. Although, since it's fake we can all breathe a sigh of relief as one of film's more talented stars hasn't gone completely insane. Recommended. RATING: * * * * (Four Stars)

I'm Still Here : Trailer

EXIT THROUGH THE GIFT SHOP (2010)

2010-10-17T08:57:00.000-07:00

DIRECTOR: Banksy. STARRING: Thierry Guetta. Banksy. Shepard Fairey. one of the most interesting documentaries I have seen in years. What begins as a backstage look at an art movement, ends up being an amazing character study. Thierry Guetta's , or Mister Brain Wash, overnight rise to fame finds relevance in a time of mega celebrity and internet billionaires. Highly recommended. RATING: * * * * 1/2 (Four and 1/2 stars)

Exit Through the Gift Shop : Trailer

170. 12 Monkeys

2010-09-22T10:02:00.000-07:00

12 Monkeys (1995)

Director: Terry Gilliam

Starring: Bruce Willis

Brad Pitt

Madeleine Stowe

IMDb Rating: 8.1

My Rating: 8

"There's no right. There's no wrong. There's only popular opinion."

Synopsis

The year is 2035. James Cole is an imprisoned convict who volunteers to go back in time to the year 1996 to gather information on a virus that wipes out five billion people. An error occurs and Cole is actually sent to 1990, six years prior to the virus' release. He is immediately locked up in a mental institution. Here he meets Dr. Kathryn Railly, a psychiatrist who seems to be the only person who might listen to him. He also meets Jeffery Goines, a patient who is the son of a famous scientist.

What's so great about (insert name)?

Terry Gilliam's dark and often obscure style lends it's self perfectly to the virus ridden, post-apocalyptic" world. Due to this, 12 Monkeys has a rather realistic feel to it. Although time travel does not exist, all the gadgets from Gilliam's view of 2035 feel rather authentic. Also, most of the performances are excellent. The exceptional standout here is Brad Pitt as the clinically insane Jeffery Goines. His performance starts out to be rather humorous, but takes a dark turn by the film's conclusion.

Anything not so great?

It doesn't happen all off the time, but some of the time jumps are a little confusing. There are moments where you are not exactly sure if you are in 1990 or 1996. The few scenes in 2035 are simple to discern from the 90's scenes.

Best Scene

Jeffery showing Cole around the mental hospital might not seem like that relevant of a scene in the film. Although, I really feel it helped establish two of our main characters personalities.

Does 12 Monkeys belong in the 250?

It's is definitely one of the best science fiction films to come out of the 1990's, so I can understand why it's included in the list. I would put it in the two hundred and fifty films I have seen, but not as high as it is on this list.

Fun Fact

There is a story that before production began, Terry Gilliam gave Bruce Willis a list entitled "Things Bruce Willis Does When He Acts" with the footnote of the list saying, " please don't do any of the above in my movie." I wonder why they never made another film together?

Final Words

As stated in my previous post on Gilliam's film Brazil, other than the Monty Python's films, I don't particularly care for him as a director. 12 Monkeys is the main exception to that rule. It's pretty obvious that Gilliam did not write the script for this film, as it doesn't have any holes and doesn't confuse the dickens out of you. I think this film is an exceptional piece of fiction and Gilliam's style lends perfectly to the well structured story.

171. Night of the Hunter

2010-09-20T00:01:00.000-07:00

Night of the Hunter (1955)

Director: Charles Laughton

Starring: Robert Mitchum

Shelley Winters

Lillian Gish

IMDb Rating: 8.1

My Rating: 8.5

"A good tree cannot bring forth evil fruit. Neither can a corrupt tree bring forth good fruit. Wherefore by their fruits, ye shall know them."

Synopsis

Harry Powell (Robert Mitchum) is a vigilante of sorts, or at least by the way he sees. He marries and then murders widows for money, believing that by doing so, he is doing God's work. While in jail for auto theft, he tries to uncover the where abouts of $10,000 that only his cell mate Ben Harper knows where is hidden. When Powell discovers that Harper's daughter Pearl knows where the money is, he will stop at nothing to reclaim the cash.

What's so great about Night of the Hunter?

There are performances that stick out in my mind, few are as haunting as Robert Mitchum evil turn in Night of the Hunter. One of the better villains in film history in my opinion. Mitchum plays Powell with an aura of mystery that makes the character equal parts creepy and unpredictable. I've also actually read the novel the film is based on, and it's a pretty good adaptation of the story. The film really captures the darkness of the real life Harry Powers, who Powell is of course based upon, even though some of the facts were changed.

Anything not so great?

The film's performances are pretty solid all around, but I've actually never been much of a Shelley Winters fan. As in other films, I just found her to be irritating, rather than effective.

Best Scene

A late night shotgun stand-off with Powell and Pearl's eventual protector is the highlight of the film.

Does Night of the Hunter belong in the 250?

Yes indeed. Not only is it a fantastic piece of cinema, but it's influence can be seen in many of the best and edgiest directors working today. Most notably Martin Scorsese.

Final Words

Night of the Hunter will be receiving a high definition transfer form the Criterion Collection this coming fall, which I am ecstatic for. This film is one that I surely plan on going back and watching a few times more. Mitchum is simply incredible. Overall, I highly recommend this film if you enjoyed films like the earlier reviewed Shadow of a Doubt.

172. Les Diabolique

2010-09-19T22:49:00.000-07:00

Les Diabolique (1955)

Director: Henri-Georges Clouzot

Starring: Simone Signoret

Vera Clouzot

Paul Meurisse

IMDb Rating: 8

My Rating: 9

"I may be reactionary, but this is absolutely astounding - the legal wife consoling the mistress! No, no, and no!"

Synopsis

Two women both work at a school for boys and both are romantically involved with the headmaster of the school. Christina is his wife, while Nicole is his mistress. Christina is well aware of her husband's infidelities. Michel treats both women awful, and the women have grown tired of his actions. Together the conspire to kill him and dump his body in the school's pool. When the murder is completed and body disposed of, Christina is riddled with anxiety. Soon the pool must be drained and the women find that their dear Michel's body is now missing.

What's so great about Les Diabolique?

Les Diabolique has a plot that just completely draws me in. The first time I read the synopsis of the film years ago, I was literally shaking in anticipation to see it. Often a movie will sound better than it actually turns out to be. Not so with this film. The plot and slowly unraveling execution is done absolutely perfectly. You truly feel along for the ride with the ladies. As far as thrillers go, this film ranks extremely high on my list. There are no loud noise "jump scares", which will completely turn me off from a film. This film relies on great story telling and legitimate scares to fright it's viewers.

Anything not so great?

The only downside to this film has nothing really to do with the movie. It's an old film, so I have never seen a good quality print of transfer of the film. Due to this, it can be difficult to follow as the sound and picture sometimes jumps and appears riddled with cracks. DO NOT let this deter you from seeing this film though.

Best Scene

To talk about the films best scene is to give away a huge fact of the film. I will just say the film's "bathtub scene" is on par with Alfred Hitchcock's famous "shower scene" from Psycho.

Does Les Diabolique belong in the 250?

Without a doubt. Not only is this one of the best thrillers I have seen, but it never loses it's appeal. I've seen this film a half dozen times and it is just as good each time that I see it.

Final Words

Being a fan of the work of director Alfred Hitchcock, it was his commentary on Les Diabolique that lead me to see the film. Hitchcock called this film one of his greatest influences when making Psycho, which is one of my all-time favorite films. While the influence is plainly seen, the two films plots are actually rather different. Overall, I find this film to be superb. If more thrillers were made like this film, I feel like the genre would gain some more credibility. This film comes very highly recommended!

173. Lock, Stock and Two Smoking Barrels

2010-09-19T17:12:00.000-07:00

Lock, Stock and Two Smoking Barrels (1998)

Director: Guy Richie

Starring: Jason Flemyng

Dexter Fletcher

Jason Statham

Nick Moran

IMDb Rating: 8

My Rating: 8.5

"Err, bad breath, colorful language, feather duster... what do you think they're gonna be armed with? Guns, you tit!"

Synopsis

Four friends have gone 500,000 pounds in debt to gang boss Harry Lonsdale after a crooked game of cards. Harry says that he will take one finger at a time if they don't pay the money back within a week. The friends are at a loss at how to get the money, until they overhear their neighbors plan to rob some drug dealers. Together the friends devise a plan to get the money before their final "hand" is up.

What's so great about Lock, Stock and Two Smoking Barrels?

There is a great deal to enjoy about Lock, Stock and Two Smoking Barrels. Director Guy Richie thrives with these action-heist films, and this is by far his best effort. The action is fast paced and gritty. The different angles and point of views of the heist are outlined and orchestrated very well. With so many characters, a film like this could very easily become a mess. Not the case with this film. The writing is very witty, and what we are left with is a solid story with great laughs and superb action. From an entertainment aspect, you can't ask for much more in a film.

Anything not so great?

This isn't necessarily a bad thing, but this mind as well be a foreign language film. They are in fact speaking English, but there is a ton of slang and at times the accents can be a little difficult to understand. I watch a lot of British films and even I had a little trouble. It never gets to a point where you are completely clueless to what they are saying, but there may be some phrases or words that you are left just guessing at.

Best Scene

Without giving anything away, the shoot out to the soundtrack of Zorba the Dancing Greek is classic. This one scene really sets the entire theme of the film, that being hilarious chaos.

Does Lock, Stock and Two Smoking Barrels belong in the 250?

It might not be a positive yes, but I really have zero problem with this film being considered one of the top two hundred-fifty films.

Final Words

What really draws me to this film is how well it's written. Many films have tried this formula and have ultimately failed (see Smokin' Aces). When a film of this kind is done right, it really becomes a cross-over favorite of film aficionados and movie lovers alike. In my opinion, this is hands down Guy Richie's most complete film. If you enjoyed films like Pulp Fiction or fellow Brit Edgar Wright's homage action-comedy Hot Fuzz, you would greatly enjoy this film.

174. The Princess Bride

2010-09-18T16:36:00.000-07:00

The Princess Bride (1987)

Director : Rob Reiner

Starring: Cary Elwes

Robin Wright

Mandy Patinkin

Andre the Giant

IMDb Rating: 8

My Rating: 7

"Hello. My name is Inigo Montoya. You killed my father. Prepare to die."

Synopsis

The Princess Bride is a fairytale in the grand tradition of fairytales. The central focus of the story lies on the rescue of the beautiful Princess Buttercup (Robin Wright) from an arranged marriage to the evil Prince Humperdink. Buttercup is being pursued by her one true love Wesley (Cary Elwes), who was presumed dead at sea. Westley enlists the help of Inigo Montoya, a sword fighter seeking revenge for his father's death, and a lovable giant Fezzik (Andre the Giant) in his rescue mission.

What's so great about The Princess Bride?

The Princess Bride is a flat-out fun film to watch. It's easy to root for our hero Wesley, as he is charming and pretty funny. Our villain Prince Humperdink is as sinister as a family-friendly film's anti-hero can get. The best, and probably the most famous, performance of the film easily belongs to Mandy Patinkin, as Inigo Montoya. He plays his character with heart and flair. So overall, it's an enjoyable film to watch and it never really takes it's self too serious.

Anything not so great?

Don't get me wrong, The Princess Bride is a good film. There just isn't much substance to it. What you see is truly what you get. The plot has been delivered before, so while the movie is fun to watch, it's really nothing more than a live-action Disney fairytale.

Best Scene

See quote above.

Does The Princess Bride belong in the 250?

Not really. While it's a fun family film, it's unoriginal plot makes it's place in the 250 seems unjust. It seems to me that this film received a lot of votes based off of nostalgia and not content.

Final Words

I enjoyed The Princess Bride when I was a kid, and still have some laughs with it today. It's extremely quotable and is at it's core, a great movie to watch with the family. However, it's plot seems more affected by previous fairy tales and folklore than it's original. If you enjoyed The Adventures of Robin Hood or the recent Disney film Enchanted, you would greatly enjoy this film.

175. The Incredibles

2010-09-15T22:24:00.000-07:00

The Incredibles (2004)

Director : Brad Bird

With the Voices of: Craig T. Nelson

Holly Hunter

Jason Lee

IMDb Rating : 8

My Rating : 7.5

"No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved. You know, for a little bit? I feel like the maid, I just cleaned up this mess! Can we keep it clean for... ten minutes!"

Synopsis

Bob Park used to be one of the world's greatest superheroes, Mr. Incredible, that was until he was forced into "retirement". He now lives with his wife, who also used to be a superhero, and their three children in a common city suburb. Life is pretty mundane, that is until Bob receives a mysterious message about a top secret mission. This tempts him out of superhero hiding and back into action. When Bob's secret mission turns out to be a trap, the whole family must journey to save the man that they love.

What's so great about The Incredibles ?

Pixar has a way to bring a very realistic emotions to their animated films. In The Incredibles, they essentially give us a man struggling with the world around him. He is stuck in a job where his greatest skills are of no use. He struggles balancing his family's happiness with his own personal well being. While this might be normal theme for many live action films, this was basically uncharted territory for animation when The Incredibles was released. It's simple to relate to Bob's problems on a personal and emotional level. His problems are handled with the maturity and realism like any family drama. Don't get down on all the emotions though, this movie is still great fun. The underlying messages mentioned earlier are tied into a comedic and overall visually stunning presentation.

Anything not so great?

While the approach might be original, the actual story is far from that. The Incredibles greatly borrows from films like the James Bond series to parody. While they say imitation is the sincerest form of flattery, it's also not very original. Still since it's animated, it gets away with these minor faults a little easier.

Best Scene

Dash's chase scene across the island brings to mind a similar scene in Return of the Jedi. The only difference being that the enemies chasing dash have vehicles, and well Dash has his left and right feet. The scene is equally thrilling and funny.

Does The Incredibles belong in the 250?

No. Now don't get me wrong, The Incredibles is an excellent time at the movies. However, it is essentially a spoof movie with a little added heart. We've seen the family dynamic approached like this in film, this film just has the luxury of animation to lean back on.

Final Words

I liked this film, much as I do your guilty pleasure summer blockbuster. Luckily though, there is more substance here than your typical Michael Bay action film. It ranks towards the bottom on my Pixar list, but in no way is that a bad thing. Pixar Studios continues to turn out excellent animated works that appeal to all ages, and The Incredibles is well an "incredible" example of that. This film does come recommended.

176. The Wages of Fear

2010-09-12T06:34:00.000-07:00

The Wages of Fear (1953)

Director : Henri-Georges Clouzot

Starring: Yves Montand

Charles Vanel

Folco Lulli

Peter van Eyck

IMDb Rating : 8

My Rating : 8.5

When I was a kid, I used to see men go off on this kind of job.... and not come back. When they did, they were wrecks. Their hair had turned white and their hands were shaking like palsy! You don't know what fear is. But you'll see. It's catching, it's catching like small pox! And once you get it, it's for life! So long, boys, and good luck."

Synopsis

When a South American oil well catches fire, the American owned Southern Oil Company hires four men to drive nitroglycerin to extinguish the flames. The journey to the fires is far and across mountains and very rocky terrain, which proves extremely dangerous considering the cargo that they are carrying.

What's so great about The Wages of Fear?

The Wages of Fear obviously has an edge of your seat subject matter, but it's not just the thrills that make this movie great. It's really a character study of the four men who face death at pretty much every corner. How they deal with that stress gives an extra dimension to this film, and is truly what sets it apart from other "disaster" type films.

Anything not so great?

I am going to catch some grief for this, but the ending felt like they just didn't know how to end it. I understand that it's very symbolic, but a better ending could have been created for a film that is nothing short of a success up to that point.

Best Scene

With a construction barricade blocking part of the road, they are forced to turn around on a platform that sits high above a valley below. It's completely nerve racking, but you cannot take your eyes off the screen.

Does The Wages of Fear belong in The 250?

Yes. It's thrilling moments perfectly contrast the moments of drama. That balance, along with very solid performances from Yves Montand, Charles Vanel, Folco Lulli, and Peter van Eyck insure it's place in The 250 is well deserved.

Final Words

I genuinely liked this film. Director Henri-Georges Clouzot gives us a film that is all together entertaining and well made. If you choose to see this film, which I think you really should, don't be deterred by the beginning. They do take a little time to set up the characters, which is really beneficial once we have the same four guys for an hour and a half. Overall, The Wages of Fear is not to be missed.

177. Kind Hearts and Coronets

2010-09-11T21:20:00.000-07:00

Kind Hearts and Coronets (1949)

Director : Robert Hamer

Starring : Dennis Price

Alec Guiness

IMDb Rating : 8

My Rating : 8.5

"I made an oath that I would revenge the wrongs her family had done her. It was no more than a piece of youthful bravado, but was one of those acorns from which great oaks are destined to grow. Even then I went so far as to examine the family tree and prune it to just the living members. But what could I do to hurt them? What could I take from them, except, perhaps, their lives."

Synopsis

Louis Mazzini (Dennis Price) is the son of woman disowned by her family for marrying outside of their approved status. When her dying wish to be buried in the family tomb is not granted, Louis seeks out revenge on the eight living members of the D'Ascoyne family (each played by Alec Guinness). He plans to murder them all, and assume the title of D'Ascoyne Dukedom of Chalfont.

What's so great about Kind Hearts and Coronets?

In the grand tradition of dark comedies, Kind Hearts is one of the finest I have seen. Each of murders proves to be unique, with great twists and turns coming through out the film. It would be a shame not to mention Alec Guiness' excellent series of performances, as he is really where this film shines. He plays every character whether it be man, woman, young, or old absolutely perfectly.

Anything not so great?

It's not an absolutely perfect film by any means, but I can't pick out a thing wrong with this film. Although, Alec Guiness playing multiple roles could have influenced a few Eddie Murphy movies.

Best Scene

An exploding shed over tea and biscuits had me roaring with laughter.

Does Kind Hearts and Coronets belong in the 250?

Without a doubt. There are not many comedies finer than this film.

Final Words

I am a fan of British humor, so this film really appealed to me. It's subtle, but often quite hilarious. I am also a great fan of vengeance films, and while calling this film a "vengeance film" might be a stretch. It's is obvious that theme is present. Overall, Kind Hearts and Coronets is a really fun time that definitely should not be missed.

178. Casino

2010-09-11T17:00:00.001-07:00

Casino (1995)

Director : Martin Scorsese

Starring: Robert De Niro

Joe Pesci

Sharon Stone

IMDb Rating: 8

My Rating: 7.5

"I think in all fairness, I should explain to you exactly what it is that I do. For instance tomorrow morning I'll get up nice and early, take a walk down over to the bank and... walk in and see and, uh... if you don't have my money for me, I'll crack your [bleep] head wide-open in front of everyone in the bank. And just about the time that I'm comin' out of jail, hopefully, you'll be coming out of your coma. And guess what? I'll split your [bleep] head open again. Cause I'm [bleep] stupid. I don't give a [bleep] about jail. That's my business. That's what i do."

Synopsis

Sam "Ace" Rothstein (Robert De Niro) is one of the best gambling handicappers around. So good in fact that he is called upon to oversee operations at Tangiers in Las Vegas. Sam attempts to run the casino legitimately as possible and live a normal life with his wife and daughter, although his ties to the Mob are deep. When Sam's childhood friend Nicky Santoro (Joe Pesci) comes to Vegas to assist him at the casino, Sam starts to see his life crumbling around him.

What's so great about Casino?

Casino is a great example of a director and his actors working in their element. Director Martin Scorsese excels with the "organized crime" genre, especially when you have gangster film professionals like Robert De Niro and Joe Pesci in front of the camera. Also, the look of "Old Vegas" feels truly authentic. Gone are the family friendly areas on the strip. This is the true adult playground in the twilight of it's existence.

Anything not so great?

The thing that separates Casino from other films of it's kind, it the lack of a genuine feeling of love between De Niro and Sharon Stone. I never really feel sympathy for Sharon Stone's character, as I feel she is just along for the ride. She was a hustler, got pregnant, and their marriage was a result of that. So when she goes all batty, it's more laughable than emotionally affecting. Her turn in the film would have been stronger had there been something real between the two.

Best Scene

Without giving anything away, a cornfield and baseball bats.

Does Casino belong in the 250?

There are films that were left off the 250 that I do feel were better than Casino. While it is good, it's inclusion in the 250 seems to be riding on the coat tails of Scorsese and De Niro.

Final Words

While Casino is a good film, it's not on par with Scorsese's other gangster films like Goodfellas or The Departed. Don't get me wrong, I like this film. I would probably watch it again, but even I give it a little more credit than it probably deserves. Overall, Casino is a good film, but there are other films of it's kind I would seek out before this one.

179. Children of Men

2010-09-10T02:20:00.000-07:00

Children of Men (2006)

Director: Alfonso Cuaron

Starring: Clive Owen

Julianne Moore

Michael Caine

IMDb Rating: 8

My Rating: 9

I can't really remember when I last had any hope, and certainly can't remember when anyone else did either. Because really, since women stopped being able to have babies, what's left to live for."

Synopsis

The year is 2027. Our world has been destroyed by war, women are unable to have children, and even the wealthy countries' economies that haven't crumbled are grizzled versions of their former selves. The center of the film's story follows Theo Faron (Clive Owen) and his ex-wife Julian's (Juliane Moore) journey to safely transport a girl, who is the first to become pregnant in eighteen years, to safety.

What's so great about Children of Men?

With the exception of Ridley Scott's Blade Runner, which actually serves as a good companion piece to this film, no vision of the world's future on film has ever seemed as realistically grim. The film is paced absolutely perfectly, with the action and scenes of dialogue in perfect balance. As an ensemble, the cast excels as well.

Anything not so great?

There isn't one thing I would change about this film, including the often criticized ending.

Best Scene

There is a scene where Theo and company are being chased by gun toting motor bikers while in an SUV. A great deal happens in this scene and it leaves you barely having a chance to catch your breath.

Does Children of Men belong in The 250?

As one of the best films of the last decade, I believe it's inclusion in The 250 is well deserved.

Final Words

Children of Men is a film that I enjoy equally every time that I see it, as each time I grasp something new. It is a dark film, but never achieves that level of depression that makes some similar films almost unbearable. The film is also clear of cliches, which gives you a fresh and unpredictable viewing experience. If you enjoyed films like the earlier mentioned Blade Runner or even last year's The Road, Children of Men is a film not to be missed.

180. The Wild Bunch

2010-09-09T16:56:00.000-07:00

The Wild Bunch (1969)

Director: Sam Peckinpah

Starring: William Holden

Robert Ryan

Ernest Borgnine

IMDb Rating: 8

My Rating: 8.5

"We've got to start thinking beyond our guns. Those days are closin' fast."

Synopsis

In what may be considered one of the "last great westerns", The Wild Bunch is the story of a posse headed up by Pike Bishop (William Holden) who have just failed in their supposed last great score. The bunch flee south to Mexico with their surviving members to hideout. Deke Thorton (Robert Ryan), the man hired to stop the outlaws, is released from prison to track them down. Thorton is promised a full pardon for his crimes if he tracks them down. While the basic plot isn't extremely original, the focus of this film really lies on a group of guys attempting to make their way in an ever-changing world, the only way they know how.

What's so great about The Wild Bunch?

What The Wild Bunch succeeds in doing is taking a genre and lifestyle we are familiar with, the wild west, and place it in a world where it is ultimately set up for failure. The addition of automatic machine guns and automobiles put the horse and rifle gang at a serious disadvantage in the beginning of the twentieth century. This refreshing take on the western genre ultimately serves as a last hurrah, as well as reminds us how great the wild west can be. The brutal violence of this film is presented in a non-gratuitous way that really adds to the realism and grit of this film.

Anything not so great?

While you can say that the film is original and refreshing, the group of corrupt Mexican military officials are portrayed rather stereotypically.

Best Scene

The opening "last score" scene not only sets the tone for the film, but is also extremely exciting to watch.

Does The Wild Bunch belong in the 250?

Yes. The Wild Bunch is one of the best films of all time within it's genre.

Final Words

I really enjoyed this film. Before I started this project, I was not a huge fan of the western genre. Films like The Wild Bunch and High Noon (to be reviewed later in the project) have really brought out a love of westerns. The gritty tone of the film sets a standard for films before and after it to be judged. This film comes highly recommended.

181. The Killing

2010-08-17T04:35:00.000-07:00

The Killing (1956)

Director: Stanley Kubrick

Starring: Sterling Hayden

Vince Edwards

Jay C. Flippen

IMDb Rating: 8

My Rating: 8.5

"You'd be killing a horse. That's not first degree murder. In fact, it's not murder at all, it fact I don't know what it is."

Synopsis

Johnny Clay (Sterling Hayden) has just been released from prison and he already is putting together his next big heist. The plan is a complex race track robbery with a combined payday of two million dollars. Johnny assembles what he thinks is a good team, but things get complicated when the wife of their inside racetrack teller becomes involved in the scheme.

What's so great about The Killing?

There is much to love about Stanley Kubrick's breakthrough film The Killing. The story is written so tight and fast paced you barely have the chance to take a breath. There are moments where you forget you are watching a movie and you feel like you yourself are part of the heist. No single performance stands out, as this is an excellent example of an ensemble piece.

Anything not so great?

You hear many complaints about films being entirely too long. Well The Killing has the opposite problem. With a run time under an hour and a half, the film could have taken a little more time to set up some parts of the heist. Although, the fast paced nature of the film is part of it's appeal. Some of the moments just feel that they shouldn't be rushed, but these moments are so few and far between you most likely will barely notice them.

Best Scene

Many films best scenes are their finales, but The Killings ending provides a twist that will leave you screaming at your television in frustration and complete joy!

Does The Killing belong in the 250?

It is certainly one of the better heist films I have seen. It ranks up there along side Heat and Dog Day Afternoon. For this film's influence on the heist genre, I would say that it's inclusion in this list is well deserved.

Final Words

A fun fact about The Killing is that Christopher Nolan's clown masks used in The Dark Knight were inspired from this films similar masks. I had never seen this film before, but it has found a home in my DVD library for sure. If you enjoyed films like the earlier mentioned Heat and any of the Steven Soderbergh Oceans films, you would greatly enjoy this often overlooked film.

182. Judgment at Nuremberg

2010-08-16T14:44:00.000-07:00

Judgment at Nuremberg (1961)

Director: Stanley Kramer

Starring: Spencer Tracy

Burt Lancaster

Maximilian Schell

Judy Garland

Marlene Dietrich

IMDb Rating: 8

My Rating: 8.5

"What you suggest may very well happen. It is logical, in view of the times in which we live. But to be logical is not to be right, and nothing on God's earth could ever make it right."

Synopsis

American judge Dan Haywood (Spencer Tracy) is sent to Germany at the end of World War II to try four German judges. The judges have been accused of legalization of Nazi practices and executions. With the threat of the Cold War growing larger, both sides are becoming eager to forget the past mistakes. Judge Haywood must now decide whether the indiscretions of these men should be allowed to slip by. The film is based upon the actual events of the Nazi trials at Nuremberg.

What's so great about Judgment at Nuremberg?

Judgment at Nuremberg does an amazing job of telling a familiar story of world history with little bias, while still making it entertaining. Most impressive in this film is the unforgettable performance of Maximilian Schell, who plays Hans Rolfe, the defense for the four German judges on trial.

Anything not so great?

While the story is an extremely detailed one, it's three hour and six minute run time can feel a bit long winded at times.

Best Scene

Dr. Ernst Janning is one of the judges on trial. He refrains from speaking for a good majority of the film. Although when he finally speaks, it is both a powerful and thought provoking scene that really defines the performances of Burt Lancaster.

Does Judgment at Nuremberg belong in the 250?

I believe that it does. This film stands as one of the greatest courtroom dramas I have seen.

Final Words

While reflecting on this film, the thing that sticks in my mind the most is Maximilian Schell. He plays his role with a feeling of great intelligence. He is defending these four German judges for crimes that in our hearts we do feel are morally wrong. Although he finds a way to actually make you listen to his defense and not just write him off. It reminded me very much of Christoph Waltz's performance in Inglourious Basterds. Overall, the film is very well done and a benchmark of the courtroom genre.

A Letter To My Readers... All Four of You

2010-08-15T18:02:00.000-07:00

Hello Readers.

As I am sure you have noticed, my posting has been quite infrequent as of late. That does not mean I have given up on the film watching project. I hope that what I have seen and written about has lead some of you to seek out some of the films. It has been one of the most rewarding projects of my life. It's lead me to seek out other works from the directors and actors that I've been exposed to. So far this year I have watched two hundred and sixty-nine films. Only one hundred and fifty-three are on the 250. So you can see that I have indeed ventured outside the lines a little. I am getting back to the reviews starting tomorrow, although the format is going to change. From the feedback I've received from friends and readers, I think this new way of writing will give you just the information you need to see the film. It's much more structured and is actually a much simpler to work through. My hope is that this allows me to focus more on the films and not just filling up a page. To those of you who have kept reading, thanks a million. As far as watching the films goes, I am actually ahead of schedule. It's been nothing short of a joy and I greatly look forward to sharing my thoughts with you again very soon.

THANK YOU EVERYONE !

Joey Wright

not 250- Inception

2010-07-19T00:00:00.000-07:00

Ten Things I Absolutely Loved About Inception Without Giving Away One Thing:

1. i haven't heard this many conspiracy theories since Kennedy was shot.

2. that I believe Christopher Nolan is smart enough not to screw this up with sequels like the Wachowski's did with The Matrix.

3. that sometimes taking chances works.

4. the best director Academy Award was decided in July.

5. visual effects that served a point, other than just to look pretty.

6. no political agendas.

7. people clapped at the end like it was a theater prodcution.

8. that during the film you could hear a pin drop as far as the audience was concerned.

9. james cameron will learn what a real game changer looks like.

10. that i cannot wait to see it again.

183. In Bruges

2010-07-18T18:20:00.000-07:00

In Bruges (2008)

Director: Martin McDonagh

Starring: Colin Ferrell

Brenden Gleeson

Ralph Finnes

IMDb Rating: 8

My Rating: 8.5

"Ken, I grew up in Dublin. I love Dublin. If I grew up on a farm, and was retarded, Bruges might impress me, but I didn't, so it doesn't."

After a fatal mishap during an assassination attempt, hit men Ken (Brenden Gleeson) and Ray (Colin Ferrell) are sent to Bruges by their boss Harry Waters (Ralph Finnes). Ray immediately finds Bruges to be boring, but history lover Ken encourages him to come along to see the sites. Early in their hideout, Ray meets drug dealer Chloe and the two embark on a very unique relationship. While Ken is given a troubling assignment from Harry while hiding out in Bruges. When things don't pan out how Harry wants, he must make a trip to Bruges to take matter into his own hands.

This film might sound like some ultra serious drama, but it's actually darkly hilarious. There are of course those serious moments in the film, especially with the final showdown on the streets of Bruges. Although, this film at the heart is a comedy, mind you a dark one, but a comedy none the less. Colin Ferrell brings a good majority of the humor to the film, in what is hands down my favorite of his performances. His comedic timing is perfect, proving why his Golden Globe for Best Actor was well deserved. Another great contributor to the comedic value of the film is Jordan Prentice who plays a foul mouth drug addicted dwarf.

As I have said in past posts, one of the keys for me to a great film is a solid screenplay. Writer and director Martin McDonagh brings forth both a clever and original script. It rarely falters in weaving together witty one liners and tragic moments. This film finds strength in it's script knowing what the appropriate line or event that is suitable for the moment. Also, the creative and almost poetic ending is the perfect final touch to such a great film.

Overall, I remember being pleasantly surprised by this film. This was my second viewing and it stands up just as well as it did the first time. It's not too complicated of a film, so it makes for an easy watch for a group of friends. While the Adam Sandler-esque comedies might have become outdated for some, films like In Bruges pave new roads for comedy. If you liked movies like Burn After Reading or Trainspotting you would greatly enjoy this film.

184. Grave of the Fireflies

2010-07-18T16:00:00.000-07:00

The Grave of Fireflies (1988)

Director: Isao Takahata

Voice Talent: Tsutomu Tatsumi

Ayano Shiraishi

IMDb Rating: 8

My Rating: 7.5

"Why must fireflies die so young."

Before the 1980's animation in the United States was pretty much solely intended for children. The few animated films that were intended for adults like Heavy Metal and Fritz the Cat, also lacked any type of cinematic depth. Although in Japan directors like Hayao Miyazaki and Isao Takahata were using animation to craft amazing films. Once such film from Takahata, Grave of the Fireflies, stands as one of the first animated films from Japan to really break ground in America.

The story of brother and sister Setsuko and Seita who lose their mother during World War II is just as touching as many other live action war stories. After their mother's death, the siblings move in with their aunt. Although problems soon arise and the two soon venture out on their own. Now they must leaning on each other to find food and shelter. When all else fails for them, the two find joy in the evenings were they get to watch the fireflies.

This film is by no means a happy one. It is actually mighty depressing. Although, at the conclusion of the film, you do find some inspiration. Almost immediately you forget the film is animated, as it's rather violent and raw tones bluntly burst onto the screen leaving the viewer caught off guard. Unlike a film like Toy Story 3, this film's effects take a much more authentic and somber tone. So much in fact that at the end of the film, I actually found myself a little fatigued.

Personally, I liked this film. I wouldn't say that I loved it though. It's story is definitely it's strongest element. I am not sure how much replay value there would be in this film. While I enjoyed it, it would be one of the films that I wouldn't really need to go back and see. That being said, If you enjoyed films like Empire of the Sun or director John Boorman's Hope and Glory, you would probably really enjoy this film.

not 250 - Toy Story 3

2010-06-19T07:51:00.000-07:00

In previous years, I had probably seen about twenty or thirty movies in the theater by June. Although with my project this year, I've seen maybe ten. Last night was one of the ten that had been on my calender since I heard it was being made. Without getting into the details of what the film is about, let me say that Toy Story 3 is brilliant. It stands as the perfect goodbye to characters we have grown to love and appreciate, almost as much as the actors who provide their voices. With the addition of Toy Story 3, Pixar has assembled one of the greatest trilogies in film history. The final scene of this film completely surpasses any moment of the previous two, and will be sure to leave even the coldest heart in tears. If for some odd reason you have never seen any of the Toy Story films, I suggest you see them first so that you can appreciate the final chapter for the brilliant piece of cinema that it is. I am greatly anticipating Toy Story 3's home entertainment release so that I can have a marathon of all three films. A crowning achievement in animation and film. I could not recommend a film of it's kind higher. 10/10. 10/10. 10/10!

185. The Exorcist

2010-06-15T16:37:00.000-07:00

The Exorcist (1973)

Director: William Friedkin

Starring: Ellen Burstyn

Jason Miller

Linda Blair

IMDb Rating: 8

My Rating: 9

"The power of Christ compels you."

The year was 1997 and I was living on an Air Force Base outside of Great Falls, Montana. At that time in my life, I was very active in my families' church. Although being fifteen, all I really wanted to do was give my parents hell. One evening I walked into the living room and pronounced to my father that I didn't believe in God and would no longer be attending church. He just smiled and said, "Okay." He then left the house for about thirty minutes and returned with a VHS copy of William Friedkin's The Exorcist. He made me watch it that evening. I was terrified to say the very least, but somehow managed to fall asleep. Around two o'clock in the morning, my father sneaked into my room and crawled under my bed. Then he proceeded to make it shake just as poor Linda Blair's did in the film. It is safe to say that I did not sleep a wink the rest of night, and was in church that very next Sunday. So I guess you could say that my belief in God exists today partly because of a demon possessed little girl and a father with a cruel sense of humor.

Movie actress Chris MacNeil (Ellen Burstyn) is living in Washington D.C. with her daughter Regan (Linda Blair), while she works on her latest film. Things haven't been going so well for Chris. Her films script isn't to her liking and Regan's father is frustratingly absent. Added to these problems, Regan's behavior starts to change rapidly soon after moving in. At first her problems seem minor like some sort of depression, but it isn't long before she starts becoming violent. Doctors have not been able to explain any of Regan's behaviors including even a few supernatural occurrences. Chris not knowing where to turn talks to Father Karras (Jason Miller) about possibly performing an exorcism. At first he declines such an offer, but once he meets with Regan, he realizes that something must be done.

The Exorcist ranks on many lists as the essential horror classic. When it was first released in 1973, it shocked, terrified, and repulsed audiences. I would have to say for an almost forty year old film, it holds up quite well. The scenes of Regan's possession are just as iconic as they are scary. Much of the film's longevity can be credited to young Linda Blair. At the age of thirteen, she took on a role with subject matter that most actresses twice her age would turn away from even today. Blair's career never really took off, as most child stars seem not to. Although, her performance in The Exorcist will always be remembered for it's shocking content and mature approach to the role.

I have always really enjoyed The Exorcist. It provides a great story and was really the first film to use a child to scare the living daylights out of us. The only thing that I really dislike about this film is the cheap scare tactic they take when they cut the white demon face into random scenes of the picture. I have heard the director's defense in using it, but I still feel like it was out of place in an otherwise excellent picture. Overall, this film really thrives because of how serious it takes it self, which means that the typical "rules of scary movies" don't apply. If you have never seen this film, you owe it to yourself to do so... just don't plan on eating any split pea soup while doing so.

186. Nights of Cabiria

2010-06-14T20:17:00.000-07:00

Nights of Cabiria (1957)

Director: Frederico Fellini

Starring: Giulietta Masina

Francois Perier

Amedeo Nazzari

IMDb Rating: 8

My Rating: 8.5

"Guess there's some justice in the world. You suffer, you go through hell. Then happiness comes along for everyone."

During the first few months of this project, one director's work I have come to anticipate every time I see his name is Frederico Fellini. With the exception of 8 1/2 and La Dolce Vita, I had seen very few of his films. I am happy to see that this is changing. He has a unique ability to find beauty in tragic situations, often giving the aura of a dream to his art. The next film on the list, Nights of Cabiria, comes from this amazing filmmaker.

Nights of Cabiria tells the story of a prostitute named Cabiria, played by Fellini's wife Giulietta Masina, who's life is consistently full of misfortune. Even though most of her days are troubled, Cabiria remains surprisingly optimistic. At the beginning of the film, we see Cabiria's boyfriend throw her in a river and steal her purse. She is saved from drowning from some local children. Once she comes to, she immediately leaves her heroes behind to search out the man who left her not so high and dry.

When it's obvious that her boyfriend has left for good, Cabiria continues on with her life trying to make the best of it all. Although burnt from her past loves, Cabiria still tries to find some sense of love in all of her interactions. When she finally meets a guy that she thinks could provide her with love, she is cautious, but jumps in whole heartily. Her bold move could come at a cost though, since it is not apparent if this new man is using her as well.

This film stands as the benchmark in Giulietta Masina's acting career. Rarely does an actress give us such an optimistic performance in a world that seems to be crumbling around her. Then again, that is what Masina was amazing at. She takes her audience and makes them fall in love with her instantly. Similar to her heart felt performance in La Strada, it is impossible to not root for her true happiness. Her turn in the film's final minutes leaves your feeling nothing short of inspired and generally happy.

Whether it be Fellini's masterful direction or Masina's endearing performance, there is much to admire with this film. This was the last film that Fellini would direct his wife. Although she continued to act, albeit rarely, well into her seventies. Also it stands as the first Fellini film to inspire a Broadway musical. Although the musical Sweet Charity turned the character into a dancer instead of a prostitute. Overall, this film does an amazing job at connecting with it's hope filled message. It's not difficult to see why a film like this is held in such high regard.

187. The Best Years of Our Lives

2010-06-02T18:34:00.000-07:00

The Best Years of Our Lives (1946)

Director: William Wyler

Starring: Fredrich March

Myrna Loy

Theresa Wright

Dana Andrews

Harold Russell

IMDb Rating: 8

My Rating: 7

"You know. I had a dream. I dreamt I was home. I've had that same dream hundreds of times before. This time, I wanted to find out if it's really true. Am I really home?"

Three men returning from World War II, head home to Boone City (a fictional city that is patterned after Cincinnati, Ohio) to continue their lives where they left off. The first night home, all three men end up meeting at a local bar. It becomes very prevalent that family man Al Stephenson (Fredrich March) has an alcohol problem. His wife Milly (Myrna Loy) takes the caretaker role, where she appears to be patient, yet slightly embarrassed. Al's daughter Peggy (Theresa Wright) is also along for the evening, and she immediately takes a liking to Army Captain Fred Derry (Dana Andrews). Derry is having trouble adjusting to being home with his rather shallow wife Marie (Virginia Mayo). The third serviceman Homer (Harold Russell) has lost both of his hands in the war. While he has adjusted well to his disability, his family around him is just learning how to deal with it. Added to Homer's stress is the insecurities he feels when around his girlfriend. The rest of the film progresses to show to trials and tribulations of returning to civilian life after war.

The Best Years of Our Lives highest points come from two of it's story lines. Homer's struggle with self confidence due to his disability and the budding romance between married Fred Derry and Peggy Stephenson. These two aspects are really what makes this film watchable. While they are good, they at times seem very dragged out. I am usually a fan of getting the complete story from my films, but it did feel a little too extensive. Otherwise, these two stories, along with it's performances, really anchor this film.

As you could probably guess, I was actually not a huge fan of this film. I don't feel that it has held up well over the years, as some of the films from it's time have. Although, there are issues that you can relate to today's society with alcoholism and the struggle with a new disability. I just found the film to be more of a time piece, than an excellent film. It also drags on much longer than it really should. It feels almost like an episode of Father Knows Best with just a little more edge. It's not the worst film I have watched so far on the list, but it's very far from the best. Overall, I really wouldn't recommend spending your time on this film.

188. The Hustler

2010-06-01T20:00:00.000-07:00

The Hustler (1961)

Director: Robert Rossen

Starring: Paul Newman

George C. Scott

Myron McCormick

Piper Laurie

and Jackie Gleason

IMDb Rating: 8

My Rating: 9

"You can't see it, can you Charlie? I mean, you've never been able to see it. I came after him. And I'm gonna get him. I'm going with him all the way. The pool game is not over until Minnesota Fats says it's over. Is it over Fats?"

"Fast Eddie" Felson (Paul Newman) is one of the best pool players in the country, with one giant ego to match. Along with his partner Charlie Burns (Myron McCormick), the two travel around pool halls and hustle their way into thousands of dollars. No longer content with just hustling for money, Eddie decides to take his talents and match them up against the best of the best. Eddie challenges Minnesota Fats (Jackie Gleason) at Fats' home pool room. The two fall into a marathon forty hour pool match. At one point Eddie is up on Fats by $11,000, but refuses to quit until Fats says that they are done. Many drinks later, Eddie finds himself with only two hundred dollars and horribly drunk. Eddie leaves the pool room defeated and heads back to his motel room, where he leaves half of the two hundred dollars with Charlie.

Eddie meets Sarah Packard (Piper Laurie) at the bus station and the two soon seem to find a mutual attraction. It isn't too long until Eddie finds himself living with Sarah in her apartment. Charlie attempts to reconcile with Eddie, but is turned away when Eddie realizes that Charlie kept a percentage of the money from the match with Minnesota Fats. Charlie can see that Eddie's only desire is a rematch with Fats, and that he will stop at nothing in his path. Eddie soon forms a dangerous partnership with Bert Gordon (George C. Scott), who offers to help Eddie collect enough money for his rematch with Fats. Soon Eddie realizes that the road back to the rematch with Fats could come with great consequences.

There is much to love with The Hustler, most notably for myself being the first encounter between Minnesota Fats and Fast Eddie. This scene stands as my favorite of the film, and is by far one of my favorite showdowns in the history of film. What you have in this scene is two men not only playing against each other in a game of pool, but two men locked in a virtual stand-off of stamina and mental superiority. It is this scene that sets the film's tone and only builds the anticipation for the inevitable rematch. Most films would kill for a scene like this one, let alone in the first ten minutes.

The performances in The Hustler are all excellent, but Jackie Gleason as Minnesota Fats is in a class all his own. He may only be in the film for two short scenes, but his larger than life presence instantly grabs your attention and gains your respect. For most, Gleason was seen as the comedic driving force in the television program The Honeymooners. His dark turn in The Hustler added a dimension to the actor that many, myself included, had no idea existed. His movements are perfectly timed, with each word and phrase purposely placed. I've seen this film numerous times, and his performance is always what resonates the most after the credits have rolled.

This film for me is really about growth and maturity. Early in the film, Fast Eddie is an arrogant young man who really only seems to care about his money and being top dog. As the film progresses, we watch Eddie mold and grow from cocky and self indulgent to calmly confident and patient. The film uses tragic events very effectively to really define the qualities of Eddie at the film's finale. His rough road throughout the film leads him to this point, but stands as an amazing example of character progression.

When great sports films are mentioned The Hustler is rarely left out of the conversation. After watching this film again, it's quite obvious to see why. In the sports genre we tend to find favor with the lovable loser or underdog. Paul Newman does an amazing job in delivering us one in "Fast Eddie". With every new new revelation in his life, we find ourselves pulling for him more. It's the classic element to a film of it's kind, but structured much better than most in this film. Overall, The Hustler stands as not only an amazing film about an often overlooked sport, but a story about the events and decisions in life that define us.

Additional Material: Even though Paul Newman won an Oscar for 1986's Martin Scorsese directed The Color of Money, it's often overlooked. The film marks the return of Fast Eddie as he mentors young up and coming pool player Vincent Lauria played by Tom Cruise and is an excellent film in it's own right.

189. Harvey

2010-05-19T13:15:00.000-07:00

Harvey (1950)

Director: Henry Koster

Starring: James Stewart

Josephine Hull

Victoria Horne

IMDb Rating: 8

My Rating: 9

"Years ago my mother used to say to me, she'd say, "In this world Elwood, you must be" - she always called me Elwood- "In this world, Elwood, you must be oh so smart or oh so pleasant." Well for years I was smart. I recommend pleasant."

Elwood P. Dowd (James Stewart) is one of the most genuine and polite people you will ever meet. If you pass him walking down the street you will be acknowledged with at the very least a smile and tip of the hat. At first everything seems completely normal about Elwood, well that is until you meet his best friend Harvey (Himself), an imaginary six foot rabbit. Elwood's sister Veta (Josephine Hull) and niece Myrtle (Victoria Horne) have grown tired of his antics and decide to take him to a mental institution. When Veta arrives with her brother, the doctor makes a mistake and believes that Veta is the one that is insane and they commit her instead of Elwood. With Elwood on the loose, it's up to the hospital's staff to find him and get him back to the clinic.

Harvey is one of those films that just leaves you feeling genuinely happy. The film was adapted from the stage by it's original writer Mary Chase. It's story is one of tolerance and acceptance. The people surrounding Elwood constantly question his sanity, but it is these people who act like they are insane. Each character is very well developed. The few side stories that are present, are just as interesting as the focus on Elwood. There are of course the laughs as well. Josephine Hull's neurotic sister character is a source of many of them. You would be hard pressed to not find something in this film that you could enjoy.

Elwood P. Dowd serves as one of my all-time favorite role for James Stewart. He plays the role with perfect timing, especially in his scenes where he is miming that Harvey is there with him. There is one particular scene that resonates with me every time I see the film. In a dark alley Elwood tells one of the hospital's doctors how Harvey and he first met. The way he tells the story captures the entire heart and imagination of the film in one brief moment. There are a dozen films of Stewart's that you could say have his greatest performance, Harvey just so happens to be right near the top of my list.

Harvey was my grandfather's all-time favorite film. I remember as a kid him showing it to me, and always being upset that I never got to see the rabbit. Watching the film now, the physical absence of Harvey only adds to the film. Was he really there, or was it all in his mind? Either way, this film holds up just as well today as it did when it first came out. With James Stewart leading the pack, Harvey is a classic comedy with all the heart you could ever ask for in a film.

Just for fun: If you have seen Harvey and happen to be looking for a similar film, check out 2007's Lars and the Real Girl.

190. Sunrise : A Song of Two Humans

2010-05-18T04:27:00.000-07:00

Sunrise : A Song of Two Humans (1927)

Director: F.W. Murnau

Starring: George O'Brien

Janet Gaynor

Margaret Livingston

IMDb Rating: 8

My Rating: 8.5

"For wherever the sun rises and sets, in the city's turmoil or under the open sky on the farm, life is much the same; sometimes bitter, sometimes sweet."

It's the summer time and love, rather lust, is in full bloom. A woman from the city (Margaret Livingston) and a local country-side farmer (George O'Brien) are having an affair. The woman desperately wants the farmer to leave his wife and run away with her. So she proposes that he murder his wife (Janet Gaynor). The farmer and his mistress work out a plan to make the murder look like an accidental drowning. The next day the farmer informs the wife that they are going to go on a date across the river. When the man gets the opportunity to push her overboard, he backs out, and his wife senses that something is wrong. When they arrive on shore the wife attempts to escape into the city, but her husband catches up to her. As the day progresses their love for each other starts to resonate again and their day in the city gets grander and more romantic with every new stop. While they are heading home in the boat, a terrible storm comes upon them and could ruin the two's newly found love.

Sunrise actually caught me by surprise. The silent film genre is not one of my favorites to be honest. I love great dialogue in film, and silent films of course do not have that. However, this film succeeds in my book even with no vocal dialogue. The feature that was most apparent for me was the gorgeous imagery. The best example of this being the scene where the farmer and his wife go to the fair on their day out. It was not your typical fair as it felt like it was nine hundred feet tall and could only exist in your imagination. Also the music by Willy Schmidt-Gentner gives this film a lyrical voice. The score never appears overbearing, but serves as an almost guide for the characters actions and expressions. The cinematography and score come together to bring us a very good technical film, especially by 1927's standards.

I also really enjoyed the story. It's remarkably well structured and never once heads down the avenue's of cliche or predictable. I found myself actually never really trusting the husband, and being very much in the same mindset of his bride. As the farmer earns back his wife's trust, he does so with the viewer as well. Without giving anything away, the film's conclusion is rather poetic as sometimes changing your actions can still bring up original intentions. Just as much as the visuals pull you into the film, so will it's story.

One of the things that is great about this little project of mine is instances like these. If it hadn't been on the list, I probably would have never seen this film on my own. It was nice to enjoy a simple story, that when reflected upon at the end, had quite a great deal to say about love. Overall, I can't really say anything negative about the film. It's beautiful music and visuals make this film an absolute joy. It's easy to see why Sunrise : A Song of Two Humans is regarded as one of the greatest silent films of it's and any era.

IMDb Link to Sunrise: A Song of Two Humans

191. King Kong

2010-05-12T11:41:00.000-07:00

King Kong (1933)

Director: Merian C. Cooper & Ernest B. Schoedsack

Starring: Fay Wray

Robert Armstrong

Bruce Cabot

IMDb Rating: 8

My Rating: 8.5

"Oh no, it wasn't the airplanes. It was beauty killed the beast."

Filmmaker Carl Denham (Robert Armstrong) needs a few things to finish his latest project. One of those things being a leading lady, whom he discovers quite by accident in Ann Darrow (Fay Wray). Denham convinces Darrow to be his next star and they soon find themselves on a boat headed to the film's shooting location, Skull Island. Once on the boat, Anne meets First Mate Jack Driscoll (Bruce Cabot) and soon the two become quite smitten with one another. When the film crew finally arrives to the island, they attempt to make peace with the natives, but are chased off. Later that night the island natives sneak onto the crew's ship and kidnap Ann. They intend to deliver her as a sacrifice to Kong (Marlon Brando... kidding), a giant gorilla who inhabits the island. When Kong arrives, he discovers Ann tied to an alter and takes her back into the jungle.

The crew set out to rescue Ann from the island and along the way encounter a lost world filled with dinosaurs. They eventually find Ann and attempt to make their escape, but with Kong close on their tail. They eventually make it back to the boat and capture Kong while he is wrecking the natives' village in search of Ann. They knock Kong out with some gas bombs and bring him back to New York City, where Denham plans on displaying Kong on the Broadway stage. The opening night of the show, things do not go as planned and Kong escapes into New York City and searches for Ann. This all leads up to the classic showdown where Kong must fight off an aeriel assault atop the Empire State Building.

King Kong is the iconic "giant monster movie" that has been referenced in countless films, and has inspired just as many. It's been remade a total of four times, but nothing really compares to the 1933 version. I actually loved the 2005 effort from Peter Jackson, but the characters are so far removed from this original, it's difficult to even compare them. Even though the film is seventy-seven years old this year, it still entertains as much as it did the day it came out. The special effects might be a very dated, but the story remains just as strong. When watching the film, it does feel like you are not only watching a science fiction classic, but a piece of history.

The performances are all solid in this film. There is not really a stand out performance from the actors, as the focus really is set dead on Kong. Although, Fay Wray is endearing as Ann Darrow. For the most part Kong is as ferocious as you would expect. The only criticism I might have is when Kong first sees Ann, his expression mirrors that of a drunk man drooling over a pretty woman. It's really our first view of Kong and it's met with a bit of a chuckle. Otherwise, everything plays exactly out how you feel it should.

Skip to the next paragraph if you are unaware of how the film ends. I have always been a believer that Kong was just very misunderstood. While some movie monsters were hell bent on killing and destruction, Kong did it all for love. From the moment he set eyes on Ann, there was something there for him. So when he escapes from his chains in New York, what is the first thing he does? He goes looking for Ann. Atop the Empire State Building, he fights off the planes not only in protection of himself, but of Ann too. He falls to his death, and the film is summed up in one of it's final lines, "it wasn't the airplanes. It was beauty killed the beast." We've all done stupid things for love, Kong just happened to destroy a city for his love.

This is another one of those films that my grandfather showed me when I was younger. I remember his rants about how Godzilla was a joke compared to Kong. About a week after my viewing, he took my cousin and I to Universal Studios to go on the Kongfrontation ride. We were absolutely terrified, or at least I was. So based on another scaring moment from my childhood, I whole heartily agree. Kong could beat up Godzilla any day of the week. Overall, King Kong is your classic monster movie with a little bit of heart mixed in. You owe it to yourself to take the time to see this cinema classic.

just for fun: the universal studios KONGFRONTATION ride that is now out of operation.

192. The Curious Case of Benjamin Button

2010-05-10T07:45:00.000-07:00

The Curious Case of Benjamin Button

Director: David Fincher

Starring: Brad Pitt

Cate Blanchett

Taraji P. Henson

IMDb Rating: 8

My Rating: 5.5

"It's a funny thing about comin' home. Looks the same, smells the same, feels the same. You'll realize what's changed is you."

Instead of being born with the soft skin baby and good health that most of us were, Benjamin Button (Brad Pitt) was brought into the world resembling a man well into his eighties. His mother died in child birth, leaving his father Thomas Button terrified and confused. Thomas leaves Benjamin on the doorstep of a local nursing home caretaker Queenie (Taraji P. Henson), who takes Benjamin in without hesitation. This is the home that Benjamin will grow up in as he ages backwards. Every day his appearance grows younger and his health improves.

Early on in his life, Benjamin meets the love of his life Daisy (played by Elle Fanning and Madisen Beaty as a young girl and Cate Blanchett from her late teenage years on). She is the granddaughter of a resident at the nursing home where he lives. The two spend much of their younger years pining and missing each and every opportunity to be with each other. Through out Benjamin's life he goes on many adventures including getting a job on a tugboat with grizzled Captain named Mike (Jared Harris) and aiding the Allied Forces in World War II. Benjamin's story might seem unusual, but when looked at has something that we can all identify with.

The Curious Case of Benjamin Button is the film on the list that I was most looking forward to watching again. The previous and only other time I had seen the film, I did not care for it in the least. After my second viewing I can honestly say that my feelings have changed, although not by much. I will say that David Fincher's vision for the film is absolutely incredible. The cinematography is very visually appealing. Fincher's usual film noir style lends wonderfully to this film, but that is pretty much where the good things end for this film. It must be said though that the film does look amazing.

The majority of my problem with this film lies in Eric Roth's screenplay. He should sue himself for plagiarism. For myself, this screenplay is far too similar to Roth's previous Academy Award Winning screenplay for Forrest Gump. In my description of the film, I tried to stay away from all similar themes to Gump, and even that was virtually impossible to do. I'll spare my usual rant at all of things the two films share, but it's safe to say that the only thing that they don't have in common is a football scholarship. Roth is indeed a talented screen writer with films like Munich, The Insider, and The Good Shepherd on his resume. Sadly for myself, this film's story and structure was far too similar to Forrest Gump for me to enjoy it at all.

Overall, I look at this film much the way I do with films like James Cameron's Avatar. Intentional or not, the stunning visuals distract from a recycled story. At least in the case of The Curious Case of Benjamin Button, Roth borrowed from his own work. Even though I particularly did not enjoy the film, I can still appreciate it's high points. Brad Pitt as Button gives a marathon performance, which did deserve it's numerous nominations. Also as previously stated, David Fincher gives us another visual benchmark on his already sterling resume. With a better screenplay, I know I would have absolutely loved this film. I would only recommend seeing this movie if you were say a technical arts student and needed inspiration for a project.

193. Ed Wood

2010-05-06T16:53:00.000-07:00

Ed Wood (1994)

Director: Tim Burton

Starring: Johnny Depp

Martin Landau

Sarah Jessica Parker

Bill Murray

IMDb Rating: 8

My Rating: 8.5

"Visions are worth fighting for. Why spend your life making someone else's dreams."

Edward Wood Jr. (Johnny Depp) is a down on his luck theater director and producer who's aspiration to become a filmmaker is easily his greatest passion. When Wood reads an article about a film based on the life of Christine Jorgensen, the first person known to have gender reassignment surgery, he feels like he would be the perfect director. You see, Wood himself is a transvestite. He is not homosexual, he just likes to wear women's clothes. Through the help of his girlfriend Dolores Fuller (Sarah Jessica Parker) he sways the head of the studio and lands himself as the director of the film, eventually titled Glen and Glenda. When the film is released, it is panned by both the critics and the studios.

While working on Glen and Glenda, Wood meets childhood idol and Hollywood horror icon Bela Lugosi (Martin Landau). The two instantly strike up a friendship, and Wood offers to put Lugosi in his film after he learns that Lugosi cannot find work. Through his next few projects, Wood gains an eceletic group of friends, which all leads up to the trials and tribulations of the production of his masterwork Plan 9 From Outer Space. The film really only focuses on Wood's life through the 1950's, which stood as the beginning and groundwork for much of the filmmaker's legendary cult status.

When it comes to film, Ed Wood is a prime example of "the right man for the job." When watching the film about director Edward Wood Jr.'s life, there is no doubt that Tim Burton was the obvious choice. Wood's life was littered with the strange and bizarre which lends to Burton's personality and talent perfectly. Burton gives us a view without judgement of the cult director who was constantly judged through out his life by friends, critics, and colleagues. While there may have been better directors working at the time of the film's release, the story and tone of Ed Wood only seems fitting in the hands of Burton.

My favorite part of this film is the relationship between Edward Wood Jr. and Bela Lugosi. It's a different twist on the classic mentor and student relationship, as it's often difficult to tell who is helping who the most. Lugosi's wisdom and advice give just as much as Wood's desire to see Lugosi kick his drug habit so that his star can once again rise. Both Johnny Depp and Martin Landau are excellent in the film. Landau won the Academy Award in 1994 for his performance, which was indeed well deserved. The focus on the friendship between the two was unexpected, but proved to be the film's best feature.

I really enjoyed Ed Wood. Even though the subject is about "the worst filmmaker of all-time", this film is absolutely wonderful. Martin Landau and Johnny Depp are excellent, as they bring life to two extremely interesting men. Tim Burton was an obvious choice to bring this story to the screen. By far one of the greatest works of his career. Overall, I give Ed Wood a very strong recommendation.

194. Letters from Iwo Jima

2010-05-06T11:11:00.000-07:00

Letters from Iwo Jima (2006)

Director: Clint Eastwood

Starring: Ken Watanabe

Kazunari Ninomiya

Tsuyoshi Ihara

IMDb Rating: 8

My Rating: 8

"If our children live safely for one more day, it would be worth one more day that we defend this island."

During World War II, the Japanese occupied island of Iwo Jima is the last barrier between the United States military forces and the main island of Japan. Iwo Jima would prove a perfect base for the American forces to attack, which the Japanese are aware of and are ready to prevent. The initial plan of attack plays out like a suicide mission, but when General Tadamichi Kuribayashi (Ken Watanabe) is given command of the island, he sets out with a different goal in mind. This angers other leaders under General Kuribayashi's command and also others stationed on the island. This even causes a few of them to leave. As we learn more about the existing conflicts between the ranks, we also get a view into the current and past lives of many of the soldiers. This film is from the Japanese point of view of the war, and is the companion to Clint Eastwood's Flags of Our Fathers.

It's rare, not unheard of mind you, that a World War II film released by an American director shows any point of view of the war other than the United States'. Letters from Iwo Jima is exactly that, a look into the lives of the people that saw us as the threat. This film really just gives us a sense that even though the United States was at war with Japan, we were really not much different. Soldiers had to leave their wives and families behind to defend their country, just as we did in the United States. This film also shows that you can make an excellent war film without littering it with propaganda. Letters from Iwo Jima succeeds because it tells a story, rather than just taking a bias and slanted view at war.

Ken Watanabe gives the memorable performance of this film. His calmness set against the background of an unknown fate and an inevitable invasion from a much larger army really stands out. Where everyone around him is in hysterics, Watanabe's General Kuribayashi leads with poise and confidence. In most films, it feels like every leader portrayed is trying to be as Patton-esque as possible. This is the complete opposite of that, and ultimately succeeds by doing so.

In the grand scheme of war films, Letters from Iwo Jima might not rank as one of my favorites, but it is definitely a refreshing view of war. There are the usual intense explosions, but the unbias angle and view of the soldiers fears and worries really set this film apart. More film than propaganda, I enjoyed it far more this time than my initial viewing in theaters during the Oscar season of 2007. As mentioned earlier, this is the companion piece to Flags of Our Fathers and in my opinion, Letters from Iwo Jima is the better film and story of the two.

195. The Kid

2010-05-04T15:27:00.000-07:00

The Kid (1921)

Director: Charlie Chaplin

Starring: Charlie Chaplin

Edna Purviance

Jackie Coogan

IMDb Rating: 8

My Rating: 9

"A picture with a smile... and perhaps a tear."

A young mother (Edna Purviance), knowing that she cannot take care of her new baby, drops him off in a fancy car with the hopes of a better life. The car that she drops the baby off in is soon stolen. Once the thieves find the baby they drop him off in an alley. A Tramp (Charlie Chaplin) is passing through the alley when he finds the baby. Although skeptical at first, he eventually takes the baby home and raises it as his own.

Five years later, the Tramp and the Kid (Jackie Coogan) are living together much like father and son. Although, sometimes it is difficult to tell which one is filling which role. Together the two scam the locals with a window washing repair service to put food on their table. At the same time, the mother of the kid has become a famous theater actress and does charity work in hopes of finding her former child. Soon the paths of the woman, the Tramp, and the Kid cross setting up an almost inevitable reunion.

Writer, director, and star Charlie Chaplin has crafted such a simple story, it's difficult to believe that so much can be taken from it. It's moments of physical comedy are absolutely hilarious. There is no doubt when you are watching the Tramp run away from a fight with a local brute that a true comic genius is at work. The film also has a way of capturing your heart. I am not sure if it is the gentle banter between the Kid and the Tramp, or just it's simple message of love no matter what blood might run through your veins. Either way, this film steals your laughs, just as much as it does the same with your heart.

This was honestly the first time I remember watching a Charlie Chaplin film. I might have seen a few when I was younger, but none actually come to mind. Part of why I took on this project is so that I could experience films I might not normally give a chance to. When I finish the 250, this is one of those films I plan on going back and watching again. I found myself filled with joy throughout the entire film. The "wholesome comedy" is truly a lost genre in today's film scene. I enjoy a dirty joke just as much as the next guy, but it was Bill Cosby who said, "too much swearing for a performer is like dropping your pants, how do you up the ante?" In a film like The Kid there is no need to up the ante. It's equal blend of physical comedy keeps the viewer satisfied and pleased until well after the credits have passed.

196. Shadow of a Doubt

2010-05-03T14:16:00.000-07:00

Shadow of a Doubt (1943)

Director: Alfred Hitchcock

Starring: Joseph Cotten

Teresa Wright

IMDb Rating: 8

My Rating: 8

"I have a feeling there's something inside you that nobody knows about... something secret and wonderful. I'll find it out."

Charlotte Newton (Teresa Wright) is growing bored with her mundane life at home. Everything just seems the same. She decides that a visit from her Uncle Charlie (Joseph Cotten), whom she is named after, should lift her spirits. Charlotte feels that he is really the only one that understands her. She heads to the post office to mail him a letter, but while is out receives a telegraph saying that her uncle will be coming to visit. This excites Charlotte and she explains this event as an example of the connection that she and her uncle share.

When Charlie arrives he charms the local ladies club, and becomes quite popular around town as well. As we saw before Charlie left town to visit his family, two detectives are following him closely. We find that Charlie may be suspected to be the murderer of a series of East Coast widows, who is commonly referred to as the "Merry Widow Murderer." As Charlie's stay becomes longer, his actions become stranger leading Charlotte to investigate at her local library. What she finds could change her family and her Uncle Charlie's lives forever.

Shadow of a Doubt is a good film, but if you go into the film expecting a classic Hitchcock twist or something to that effect, you might be disappointed. The film doesn't have that shocking conclusion like say Vertigo or Psycho did, but it is a very solid story. Where this film shines is in the character of Uncle Charlie. You can account the character's brilliance to both the writing and the performance of Joseph Cotten. Either way, the manner the character seems to be just going along normally even though he is being accused of murder, lends perfectly to either his innocence or insanity. So Shadow might be a little straight forward, but it is still quite good.

In my mind, Shadow of a Doubt plays out like what it would be like if an accused serial killer was a member of a typical 1950's television sitcom family. When viewed this way, the film takes on a completely different dimension. I am unaware if this was Hitchcock's intention, but it is definitely the way I would go into viewing the film. Overall, the movie keeps you guessing till the end in true fashion of the master director. It is however one of his least suspenseful films. What it lacks in suspense though, it makes up in excellent storytelling. A fun piece of trivia: this was Alfred Hitchcock's favorite film of his own.

197. Rosemary's Baby

2010-04-21T19:21:00.000-07:00

Rosemary's Baby (1968)

Director: Roman Polanski

Starring: Mia Farrow

John Cassavetes

Ruth Gordon

Sidney Blackmer

IMDb Rating: 8

My Rating: 9

"Witches... all of them witches!"

Rosemary and Guy Woodhouse (Mia Farrow and John Cassavetes) have just moved into a large apartment in New York City's Bramford building. Rosemary is a very sweet and caring younger housewive, while Guy is a struggling actor mostly working on stage and in commercials. Shortly after moving in, Guy and Rosemary meet their neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) who instantly become quite enamored with the couple. They are rather overbearing, but seem to be harmless. While Rosemary attempts to maintain some privacy, Guy becomes very friendly and fond of the couple. Soon Guy lands a lead role in a big stage play when it's actor unexpectedly becomes blind. After landing the role, Guy immediately says that he wants to have a baby with Rosemary and she agrees.

On the night that they are planning on conceiving, Minnie drops off two chocolate mouse desserts for the couple. Rosemary stops eating after a few bites and complains about the chalky under taste. A little while later, she becomes very weak and goes to bed. While asleep she dreams that a demonic force rapes her. The next morning she tells Guy of her dream, and he dismisses it and says that it was him who was making love with her. Sure enough, a few weeks later, Rosemary finds out that she is pregnant. Minnie and Roman learn the news from Guy almost immediately, and almost demand that she see a close friend Dr. Sapirstein (Ralph Belemy), instead of the doctor her friend has recommended. Once visiting Dr. Sapirstein, Rosemary is instructed to take a herbal drink from Minnie's garden in place of regular prenatal vitamins.

Soon Rosemary's appearance becomes frail and she is tortured by horrible stomach pains. Her friend Hutch (Maurice Evans) is very bothered by her appearance after a meeting one afternoon. He calls her that evening to arrange a meeting for the night day. He says that he has some important information for her. The next afternoon when Rosemary attempts to meet up with Hutch, she finds that he has slipped into a coma. Rosemary is already growing suspicious when a package arrives that Hutch instructed his friend to send to her. The package contains a book about witchcraft that Hutch has marked and inscribed to Rosemary, "the name is an anagram." Soon Rosemary starts uncovering clues to the mystery of her noisy neighbors, and the very baby that she is carrying.

Rosemary's Baby is what I often refer to as a "domino movie." It takes a while to set up, but once all of the pieces are in place, it all comes crashing down. Each shot of the film is essential to setting up our characters and the story. Through this we gain an actual sense of care and concern for our characters, especially Rosemary. Even after watching it multiple times, you can appreciate how well the film is structured. Nothing compares to your first viewing of the film though. The last fifteen minutes is filled with enough tension and surprise to rival any of cinema's great "shock endings." It's a film that deals with the supernatural, but it's realistic approach is really what sets it apart from most thrillers of it's kind.

This film is blessed to have two strong female characters portrayed by two phenomenal actresses in Mia Farrow and Ruth Gordon. Farrow gives the defining performance of her career as the soon-t0-be mother Rosemary. In lesser hands, the role could have become rather campy and ultimately ruined the entire film. However, Farrow's perfectly paced lines and genuine terrified looks prove that she was made for the part. Ruth Gordon is also excellent as the neighbor from hell, Minnie Castevet. Gordon received many accolades for her performance including the Academy Award for Best Supporting Actress. She is consistently annoying, yet surprisingly manipulating. The way her character twists and molds the people around her is subtle, but amazing when looking at the results. The male performances in Rosemary's Baby are merely footnotes compared to Farrow and Gordon.

It's safe to say that I am a big fan of Roman Polanski's Rosemary's Baby. I really do enjoy films that actually set out to tell a complete story, and not just focus on one main aspect. With this film, you get a complete look at a couple wanting to have a baby, a struggling actors desperate measures, the trials of noisy neighbors, and the power of manipulation. Mia Farrow and Ruth Gordon highlight an amazing cast superbly directed by Polanski. If you are watching the film for your first time, I encourage you to stick with it for it's entirety. The run time might be long, but the payoff in the end makes the journey completely worth while. I strongly recommend seeing this shocking and well structured film.

198. Brief Encounter

2010-04-15T14:45:00.000-07:00

Brief Encounter (1945)

Director: David Lean

Starring: Celia Johnson

Trevor Howard

Stanley Holloway

IMDb Rating: 8

My Rating: 8

"Nothing lasts really. Neither happiness nor despair. Not even life lasts very long. There'll come a time in the future when I shan't mind about this anymore, when I can look back and say quite peacefully and cheerfully how silly I was. No, I don't want that time to come ever. I want to remember every minute, always, always to the end of my days."

A man and a woman are sharing a table in a crowded train station cafe. They have mutual looks of emptiness and despair on their faces. A rather chatty lady sits down and begins to talk to the couple. Soon the man gets up to leave and gently places his hand on the woman's shoulder. The moment seems rather insignificant, until we are taken back to the couples first meeting. Laura Jesson (Celia Johnson) ventures into the small town of Milford once a week to do some shopping and take in a afternoon matinee at the local movie theater. One afternoon while waiting for her train home, she gets a small piece of grit in her eye. Luckily Dr. Alec Harvey (Trevor Howard) is there and helps her remove the debris from her eye. This short encounter leads to an affair between the two, who are both married to other people. Their story, although short and fleeting, speaks volumes about the matters and desires of the heart.

Brief Encounter is a fairly simple film. I am usually quite turned off to films about infidelity. I remained open minded before and during my viewing of the film though, and actually found it to be a rather piercing and amazing tale. Different from films like Unfaithful, this film focuses much more on the emotional aspect of an affair, rather than the physical. With this angle, the film does test the viewers moral beliefs and actually leaves you rooting for their eventual happiness. The film's ability to do this, I think speaks to it's excellent story and the manner that it is told.

Our couple played by Celia Johnson and Trevor Howard are absolutely wonderful together. The relationship while unconventional, maintains that feel of a classic cinema romance. Johnson is emotionally charged if nothing less. Her vulnerability comes across as the most authentic piece of acting in the film. Howard's performance is much more subtle, but equally as wonderful. The character's personalities compliment each other almost as good as Johnson and Howard do. Their complete performance as a couple is truly what drives this film.

Brief Encounter might be a film about being unfaithful, but it approaches the subject with class and maturity. It's never vulgar or crude, although it was still banned in a few countries during it's initial release in 1945. I liked this film very much. It's focus on the emotional aspects really did make the subject matter much more intriguing and thought provoking. This movie comes with an definite endorsement from myself.

199. Good Will Hunting

2010-04-11T10:26:00.000-07:00

Good Will Hunting (1997)

Director: Gus Van Sant

Starring: Matt Damon

Robin Williams

Ben Affleck

Stellan Skarsgard

Minnie Driver

IMDb Rating: 8

My Rating: 8.5

"I just slid my ticket across the table and I said,"Sorry guys, I gotta see about a girl."

Will Hunting (Matt Damon) is a closeted genius who works at the prestigious Massachusetts Institute of Technology as a janitor. A professor at MIT Gerald Lambeau (Stellan Skarsgard) posts a problem on the hallway board for his students to hopefully solve by the end of the semester. The next day while at a reunion of his classmates, Professor Lambeau is approached by a few of his students who are interested in who solved the problem. The next morning in class a large number of students has arrived to find out who might have solved the problem. No member of the student body steps forward, which leaves Professor Lambeau to post another more difficult problem. While walking down the hallway a while later, Professor Lambeau catches Will writing on the board, and attempts to chase him down. It turns out, that Will has been the one solving the problems all along.

Baffled at his identity, Professor Lambeau looks for Will and ends up bailing him out of jail for assault. Will is released on the condition that he meet once a week with Professor Lambeau and also seek conculing from a therapist. Will agrees and begins to torture therapist after therapist. It isn't until Will meets Sean Maguire (Robin Williams) that the walls begin to come down. Soon Sean starts to really breakthrough with Will, who soon strikes up a relationship with a Harvard student named Skylar (Minnie Driver). The only problem being that she is soon be moving to California. With job offers now coming, Will must make the ultimate decision about his future, but will it cost him his identity?

Good Will Hunting is your classic "underdog" storyline with an intellectual twist. Where the usual "underdog" films (i.e. Rudy or Remember the Titans) seem to divulge into sappy and cliche, this film paved a road of it's own due much in part to it's excellent writing. The screenplay was written by two young Boston natives, Matt Damon and Ben Affleck, which proved to be their tickets to fame. They won the Academy Award for their work, which was justly due. Their raw look at the often forgotten about inner city side of Boston rang true with myself, as well as audiences world wide. What I like most about the writing is how it lends to the authenticity of the character of Will. Here you have this genius, but he talks just like an inner city thug, which he is as well. The three dimensions of Will are also written into the three main characters that surround him. We have his genius in Professor Lambeau, his troubled youth found in his best friend Sullivan, and his life long absence of love which can be redeemed in Skylar. Without giving away the ending, the film concludes in the way that is not only most logical, but also truest to the human spirit. The screenplay of Good Will Hunting lends greatly to it's success and, helps it to become one of the defining and most original films of it's genre.

The comedian taking the dramatic turn can prove to be rather deadly. Not many actors have the ability to transition between drama and comedy like Robin Williams. His performance in this film, all be it a short one, far outshines the rest. Keeping with our underdog theme, Williams plays the classic mentor character brilliantly. Some might draw comparisons to his character in Dead Poet's Society, and call the performances similar. I do not believe that is a good comparison. His perfectly timed and reserved demeanor makes his moments of intensity that much more effective. His scenes along side Damon can only be described as on screen magic. Knowing the star power of both now, it's neat to look back at the rising of a new star, and the true transition of another.

It's hard to not like a film like Good Will Hunting. The character of Will is so layered, that everyone should find a reason to root for his success. Where Damon and the rest of the cast give solid performances, it is Robin Williams portrayal of Sean Maguire that truly outshines the rest. Also the writing of Damon and Affleck hits with a sense of realism and sencerity that is rarely found in films of it's type. I remember in high school watching this film many times and really never getting too far past Will and his buddies. This time I was much more focused on the relationship between Will and Sean. True mentors in life are hard to come by. If you are fortunate enough, these people will shape your life. On a personal note, my life (a tad different from Will's) would not have been the same without my mentor James Brendlinger. He opened my eyes to a aspect of film, music, literature, and theater that I never knew. It is film's like Good Will Hunting that remind us of the impact these people can have on us.

200. Big Fish

2010-04-08T08:53:00.001-07:00

Big Fish (2003)

Director: Tim Burton

Starring: Albert Finney

Ewan McGregor

Billy Crudup

Jessica Lange

IMDb Rating: 8

My Rating: 8.5

" There's a time when a man needs to fight, and a time when he needs to accept that his destiny is lost... the ship has sailed and only a fool would continue. Truth is... I've always been a fool."

Edward Bloom (Albert Finney) has lived a long life full of amazing journeys, or as his son William (Billy Crudup) sees it, just tall tales. On the eve of William's wedding his father is telling the story of the day his son was born, but the focus as usual lies on himself and not on his son. After a lifetime of hearing the same stories, William has had enough of his father's selfishness. It is three years until the two speak again, but when Edward's battle with cancer seems to be coming to an end, William must return home. His reunion with his ailing father seems like they had just seen each other the day before. Before his father becomes too ill, William wants to know the truth of his father's life. Soon we find ourselves looking back at the life of Edward Bloom (now played by Ewan McGregor). His tale is an unbelievable one filled with the most eclectic cast of characters that your mind could imagine. Soon William starts to see that maybe not all of the stories behind his father's life are tall tales at all.

Big Fish is the perfect example how a film's visuals can completely take you away. The world and life of Edward Bloom is perfectly interpreted by director Tim Burton. Those who are used to Burton's usual darkness will find this film to be much brighter. The use of blues, yellows, and greens are extremely apparent. There are still a few of the typical dark scenes from the Gothic mindset of Burton that we are all used to. Also the use of time aging things is done wonderfully. Early in the film Edward visits the small town of Spector. It's main street is a gorgeous patch of grass with beautiful buildings on each side. Later in the film, Edward visits Spector again, and time has brought an actual road which has lead to the town's ruin. What once was a town with a beautiful green centerpiece, is now a muddy rundown version of it's former glory. Most people will site Edward Scissorhands as Burton's masterpiece, although I really feel that his finest work is found in Big Fish.

I'd like to point out the two excellent performances by Ewan McGregor as the younger Edward Bloom and Albert Finney as the older Edward Bloom. In many films, two actors playing the same character tends to come off as two different characters all together. Not the case in Big Fish. Both McGregor and Finney present the exact same amount of charm, passion, and sheer likability. It is virtually impossible to not grow fond of Bloom by the film's first flashback scene. McGregor and Finney team up to give us one of the most likable and solid characters of the last ten years.

People connect with films for many different reasons. I have spoken of my wonderful grandfather on this blog before, and Edward Bloom reminds me very much of him. His legend was almost bigger than the man himself. That might be a large part 0f why I am so fond of this film. What cannot be debated are the excellent performances by McGregor and Finney. As well as the amazing vision for the film from director Tim Burton. Big Fish is like a mixture of The Wizard of Oz and Forrest Gump which is not to be missed.

201. Crash

2010-04-02T15:20:00.000-07:00

Crash (2004)

Director: Paul Haggis

Starring: Don Cheadle

Ryan Phillipe

Matt Dillion

Terrance Howard

Thadie Newton

Sandra Bullock

IMDb Rating: 8

My Rating: 9

"It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss touch so much that we crash into each other, just so we can feel something.

Crash is the story of several groups of intertwined characters dealing with racism and prejudices in present-day Los Angeles. Graham Waters (Don Cheadle) is an African-American detective torn between the job that he is addicted to, and the family which is constantly left on the back burner. Graham's troublesome brother Peter (Larenz Tate) has taken up a life of stealing expensive cars for money with the guidance of Anthony (Chris "Ludacris" Bridges). One evening, Anthony and Peter carjack an SUV belonging to Los Angeles' District Attorney Rick Cabot (Brenden Fraiser) and his wife Jean (Sandra Bullock). Once home, the Cabot's have all of their locks changed, but Jean is alarmed when the young man changing the locks appears to have gang related tattoos.

We follow Daniel Ruiz, the lock repairman home, and find that he has a wife and a daughter and is every bit your typical family man. He shares a tender story with his daughter before being called out to fix the lock of Persian general store owner Farhad (Shaun Toub). While Daniel is fixing the lock, he notices that the door is the real problem and attempts to tell Farhad the bad news. Farhad believes that Daniel is cheating him and sends him away. That night, Farhad's store is broken into and he instantly goes to find Daniel, with vengeance being the only thing on his mind.

Meanwhile, Tom Hansen (Ryan Phillipe), a cop new to the Los Angeles Police Force, is riding along with his new partner John Ryan (Matt Dillion). They pull over an SUV matching the description of a recently stolen vehicle, although the license plates do not match. Ryan begins to question the driver of the vehicle Cameron Thayer (Terrance Howard) about his night's activities. Cameron's wife Christine (Thadie Newton) soon starts to speak out of line and Ryan loses his patience. He performs a body search on Christine after she exits the vehicle and verbally assaults him. His search proves to be much more than inappropriate, prompting Tom to request a new partner and leaving Cameron to question his abilities as a husband and a man. Soon all of the stories start to blend together to break down many racial barriers, but at times raising new walls as well.

From my synopsis of the film, you would think that Crash would be extremely hard to follow. Luckily, screenwriter Paul Haggis is a much more talented writer than I am. Bringing to mind a previous ensemble film like Paul Thomas Anderson's Magnolia, Haggis takes several different stories and connects them not only with it's characters meeting, but with the common theme of racial equality. What I loved about the story is that not every character ends up "richer" in the end. Some characters that begin "colorblind", soon start to see the world in black and white. Crash gives us one of the best structured screenplays, with often unpredictable results.

Speaking about the racial subject matter, this film's focus lies much deeper than the differences between black and white. Crash was made in a post 9-11 America, so the common misconceptions about people from the Middle East are present. This marked the first main exposure on film of what had been an almost epidemic in the years following the terrorist activities of 2001. Also, the film is set in Los Angeles, so many of the racial Latin issues are addressed. The blending of all the cultures drives the film's characters and story to give an almost universal appeal. It's message is definitely one of tolerance and changing past generations perceptions of the world.

Crash is one of those films that I think everyone should see at some point. The combination of Haggis' excellent screenplay and solid on screen performances makes this a very well made film. At it's climax though, it goes beyond the point of great film, and becomes culturally significant. I don't think we will ever live in a world free of prejudice or racism. Although, with films like this, our world is bound to be much more colorblind.

202. A Streetcar Named Desire

2010-04-01T20:05:00.000-07:00

A Streetcar Named Desire (1951)

Director: Elia Kazan

Starring: Vivien Leigh

Marlon Brando

Kim Hunter

Karl Malden

IMDb Rating: 8

My Rating: 8

"Hey Stella! Hey Stellaaa!"

While searching for a new place to call home, Blanche DuBois (Vivien Leigh) goes to visit her pregnant sister Stella (Kim Hunter) in New Orleans. While there, she meets Stella's often crude husband Stanley (Marlon Brando), who immediately takes a dislike to Blanche. Stanley often mistreats and abuses Stella, although she is often quick to forgive. This disappoints Blanche, as she feels that her sister deserves more. Stanley's dislike to Blanche begins to grow more harsh, and he soon starts to question the truth behind why Stella and his wife's family plantation has been taken away. He eventually finds that she had been exiled from her hometown for seducing a seventeen year old boy. This shocking revelation soon challenges the relationship between Stella and Stanley, as well as the sanity of Blanche.

Returning from A Streetcar Named Desire's original Broadway run is Marlon Brando, Kim Hunter, and Karl Malden, while Vivien Leigh starred in the play's first run on London's West End. The ensemble of these four actors proved to be one of the greatest in film at it's time. This accounts as the world's first exposure to the brilliant Brando, who is perfectly despicable as Stanley. The portrayal of a great villain makes it impossible not to love them and Brando gives us just that. Leigh gives easily the films greatest performance though. At first she often comes off rather annoying, but as the truth behind her past starts to unravel, Leigh proves to be nothing short of incredible. Her final scenes are easily some of the finest work of her career. It's not often that acting talent, as in the film, joins together to create such an undeniable overnight classic.

A Streetcar Named Desire is often referred to as one of the theater's greatest works, but I can see how some people would actually be turned off by this film. The first half of the film is filled with constant analogies and metaphors that can often become distracting from the overall story. I understand to some, that this is the appeal of a writer like Tennessee Williams. I actually found myself having to go back and watch a few scenes a second time. There is also the language barrier of 1940's New Orleans, which is riddled with accents and slang. Some might see this as a negative aspect of the film, and some could argue that it sets the tone. That being said, I encourage viewers to ignore the troubles (that is if you have any) like I encountered in the first part of the film. Luckily by the second half of the film, the writing becomes a little more straight forward and wraps up to be the classic it is billed to be.

It's hard to say anything negative about a film like A Streetcar Named Desire, which is so highly viewed as a classic. The acting is excellent from start to finish. The story and progression of the characters is also just as powerful. There is also the obvious metaphor of the cultural clash of two classes of people during a time of great transition in America. The only criticism I have is that the film can come across rather dated partly due to some of the language. Although, the film works just fine if viewed as a time piece of New Orleans during the 1940's. Overall, I would definitely recommend seeing this film.

203. Dial M For Murder

2010-03-24T11:24:00.000-07:00

Dial M For Murder (1954)

Director: Alfred Hitchcock

Starring: Ray Milland

Grace Kelly

Robert Cummings

IMDb Rating: 8

My Rating: 8.5

"People don't commit murder on credit."

Former tennis pro Tony Wendice (Ray Milland) is plotting to murder his wife Margot (Grace Kelly) with both revenge and money as his motives. Tony has discovered that while he was on tour playing tennis, his wife had been having an affair with American mystery writer Mark Halliday (Robert Cummings). Tony calls on an old college classmate Charles Alexander Swann (Anthony Dawson), and blackmails him into murdering his wife. The murder is to take place while Tony is entertaining Mark during a gentleman's evening. Although, the murder goes horribly wrong when Margot escapes capture, grabs a pair of scissors, and stabs Mr. Swann in the back. Seeing that his plot has failed, Tony must now spin a new web of lies to deceive the police into thinking that there was no murder attempt on Margot at all. Rather she was intending to murder Mr. Swann.

Dial M For Murder isn't exactly one of director Alfred Hitchcock's most suspenseful films. Although, it is definitely one of his best structured. A lot of that can be attributed to the excellent screenplay from Frederick Knott, which was also based on his play of the same name. I've seen this film a few times, and have yet to see an error in it's writing. There are times when it gets a little intricate, but never once falters. Also Hitchcock's signature long takes are present here. Many scenes go on for ten minutes before a cut is made. I have always loved this technique, mainly because it does give the viewer a keen sense that their in the room. The combination of Knott's excellent story and Hitchcock's keen hand in directing, makes this film a true classic.

There is only one thing that is unbelievable about this film, and that is someone wanting to murder a woman as beautiful as Grace Kelly. You often hear about her elegance, but until you see it at work on screen, you have no idea. Kelly gives an excellent performance that instantly grabs your attention. Ray Milland is also good as Tony Wendice, who apart from wanting to murder his wife, seems to be an all right guy. He is almost charming enough to have you rooting for him, and not Margot. The rest of the cast turn in great performances as well, but they seem to pale in comparison to Milland and Kelly's wonderful work.

Dial M For Murder came around the middle of Hitchcock's career, but served as the beginning of a run of his most popular films that featured Rear Window, Vertigo, and Psycho. It might not live up to the pedigree of those films, but it is still quite excellent. All of Hitchcock's signature traits are here including his excellent choice in scores and beautiful blonds. It serves as a pretty straight forward film, with few twists and turns. That might seem foreign to Hitchcock's style, but rest assured, nothing is compromised with this film. Hitchcock's unique style and vision is indeed present in every frame of this truly incredible film.

204. Kill Bill Vol. 2

2010-03-23T17:30:00.000-07:00

Kill Bill Vol. 2 (2004)

Director: Quentin Tarantino

Starring: Uma Thurman

David Carradine

Michael Madsen

Daryl Hannah

IMDb Rating: 8

My Rating: 9

"I've killed a hell of a lot of people to this point, but I have only one more. The last one. The one I'm driving to right now. The only one left. And when I arrive at my destination, I am gonna kill Bill."

Before Kill Bill Vol. 2 continues from where the previous installment left off, we take a look back to the wedding rehearsal of The Bride (Uma Thurman). Here she and her entire wedding party were murdered by her former gang, the Deadly Viper Assassination Squad. Prior to the attack, The Bride has a conversation with her former lover Bill (David Carradine) about her future plans. Bill wishes her the best, and agrees to pose as her father during the actual ceremony. Soon the Deadly Viper's, which Bill is the leader, show up to end the day. They kill everyone in the church, but fail to finish the job with The Bride leaving her in a coma. Since the massacre, The Bride has recovered and gone on her own journey of vengeance, killing two key members of her former gang (These stories were told in the first installment).

Upon hearing of The Bride's trail of revenge, Bill goes to warn his brother Budd (Michael Madsen) that he is next on her list. Late one night, The Bride sneaks up to Budd's trailer, but is caught with a shotgun blast of rock salt that hits her in the chest. He then takes her to a graveyard and throws her body inside a casket in a robbed grave. This seems to be the end of The Bride, but then she recalls her training in China and busts out of the grave. Once out of the grave she approaches Budd's trailer to see Elle Driver (Daryl Hannah), another member of the Deadly Viper's, visiting him. Budd has agreed to sell his one of a kind sword to Elle for a suitcase filled with one million dollars. Although, Elle has booby trapped the suitcase with a black mamba snake that bites and kills Budd. Right as she is leaving, The Bride bursts into the front door and the two begin to fight, ending in Elle losing her other good eye. As the Bride walks out the door, only one stop remains, and she has every attention to KILL BILL.

I am not sure if I get Quentin Tarantino, or if he gets me. All I know is that there is no writer currently working in Hollywood that appeals to me more. He has this incredible ability to take the most normal settings, and bless them with some of the most brilliant dialogue you have ever heard. I understand that some people can just no sit through a film where all the people do is talk. Although if you listen to the pacing and words chosen by Tarantino, you cannot deny his unbelievable talent. I might be over-hyping his abilities here, but as a writer who desperately wants to make sense, I applaud Tarantino on his truly original style of writing.

One thing that I feel this film does well is that it omages, rather than copies. This film pulls and uses past films of the kung-fu and revenge genre's to make suitable film that belongs near the top in either catagory. Some of the same actors from these classic films are used to play new, but most of the time similar roles. Also, the music had a western appeal, which might make no sense for a film with so much martial arts, although it greatly works with thiw film. For true fans of the many genres that this film pulls from, Kill Bill Vol. 2 holds even more fun and significance for you.

Over the last five years or so, I have become a huge fan of the emerging "vengeance" genre. You could easily say that the Kill Bill films are what started that love in me. This film series lead me to find one of my favorite directors, Chan-wook Park and his own Vengeance Trilogy. If it were for that reason alone, I would always hold a special place for this film. Luckily, this film is much more than a stepping stone to other great films. Kill Bill Vol. 2 serves as beautifully written conclusion to an epic journey. The first installment of Kill Bill carried much of the action, where Volume 2 really focuses on the emotions of our heroine and her surroundings. This film paired with Volume 1, is a must see for all movie and film lovers.

*be sure to view my post for volume 1 coming this fall!

205. Let the Right One In

2010-03-22T08:43:00.001-07:00

Let the Right One In (2008)

Director: Tomas Alfredson

Starring: Kare Hedebrant

Lina Leandersson

Per Ragnar

IMDb Rating: 8

My Rating: 8.5

"Please Oskar... be me for a little while."

Oskar (Kare Hedebrant) is your typical outcast. He is constantly bullied at school, and really has no friends. His parents are divorced, so he lives alone with his mother in a small apartment. One evening while sitting outside of his apartment complex, he meets a strange young girl named Eli (pronounced like Elle - E, and played by Lina Leandersson). Eli has recently moved into the apartment next to Oskar's with an older gentleman named Haken (Per Ragnar), who appears to be her father. Haken goes out at night and murders people, so that he main drain their blood to feed Eli. For you see, she is not actually a young girl, but an ancient vampire.

Oskar begins to confide in Eli as a friend, even though she has warned him about doing so. This is most likely to protect Oskar, although Eli never reveals why in the beginning. She encourages Oskar to fight back against the bullies at his school. As their relationship grows, so does Oskar's confidence and general attitude. During this time, Haken has failed at supplying blood for Eli on a few occasions, leaving her to do her own killing. One particular failed attempt proves to be ultimately fatal for Haken, and ends up leaving Eli with only Oskar in her life. With the community becoming suspicious of the random deaths and attacks, the two most both find a way to go on with their lives. This leaves Eli no choice, but to expose her true identity to him. But will Oskar let her into his life once he knows her secret?

I remember seeing Let the Right One In in theaters and being very impressed with it's exceptional attention to detail. For instance, when Eli doesn't feed, she always looks weak and frail. Almost appearing to be older at times. Although after she has just fed, she always appears to be youthful and eager. There are a few scenes where you actually do see Eli as an older woman. These scenes are met with flawless transition, giving the true appearance of something supernatural. It's the simple things that makes this film something truly extraordinary.

This film also has two of the better child performances I have seen. Lina Leandersson was only twelve during the filming, but turns in a performance well past her years. Her portrayal of Eli relies on realistic reactions to convey the trials of being a vampire. Usually the vampire is the enemy in the film, and Eli is really no different from any other vampire. Although, you cannot help but root for her. Kare Hedebrant is also great as the very reserved Oskar. You find yourself pitying him, but also identifying with him quite a bit. We've all feared running into that bully when we were in primary school. Hedebrant captures that perfectly. In the case of Let the Right One In, the kids are definitely where the acting talent lies.

I don't usually do this, but I would like to explain to you my interpretation of the end of the film. So if you have not seen it yet, please do not read any furthur into the paragraph. I do not think that Eli really loves Oskar. I believe that she is using him, as she did Haken. Oskar and Haken both seem to have similar personalities. They are very reserved, trustworthy, and will do anything for the ones they love. I like to think that Haken was once misunderstood, and Eli took him away from that. Much like Eli does when she runs away with Oskar. I am a sucker for romance in film, but I just don't buy it with Eli. If you have seen the film, go back and watch it again with this in mind. I think you will definitely see where I am coming from.

Let the Right One In is a top film in the horror and vampire genre. I feel with the release of a certain teen vampire film and this film's only two weeks apart, it was not really given a chance. So I strongly urge you though to see this film. Especially before the unneeded American remake from Cloverfield director Matt Reeves comes out later this year. Some might feel that this film moves at a slow pace, but that is one of the things that makes the action scenes that much more effective. Overall, It's attention to detail and superb acting should satisfy horror loves and film lovers alike.

206. Duck Soup

2010-03-20T21:08:00.001-07:00

Duck Soup (1933)

Director: Leo McCarey

Starring: Groucho Marx

Harpo Marx

Chico Marx

Margaret Dumont

Louis Calhern

IMDb Rating: 8

My Rating: 9

"This is Rufus T. Firefly coming to you through the courtesy of the enemy. We're in a mess folks, we're in a mess. Rush to Freedonia! Three men and one woman are trapped in a building! Send help at once! If you can't send help, send two more women."

The fictional country of Freedonia is in financial ruin. Wealthy widow Mrs. Tisdale (Margaret Dumont) agrees to give the hefty sum of two-million dollars to Freedonia, but on the condition they name Rufus T. Firefly (Groucho Marx) as it's leader. This is much to the dismay of the leader of Slyvania Ambassador Trentino (Louis Calhern), who secretly wants to take over Freedonia. Firefly turns out to be an unpredictable dictator who goes about his job in a very unpolitical and unorthadox manner. If Firefly has one goal, it is to win the favor of Mrs. Tisdale, but only for her fortune. Ambassador Trentino also plans on wooing her, but with his mind set on taking control of Freedonia. The two men's plans clash and war is declared between the two countries leaving both men and their countries in total jeopardy.

So my description of Duck Soup might sounds pretty straight forward, but don't be fooled, it is hilarious! This film is the epitome of a comedy classic. The jokes come at bullet speed, and the gags are non-stop. Groucho Marx gives one of his most memorable performances with more one-liners than one could even count. Harpo and Chico Marx are also excellent as the spies Pinky and Chicolini, who are hired by Ambassador Trentino to get dirt on Firefly. Their gags are some of my favorite moments in the film. The most memorable scene in the film is the classic mirrored movement scene between Harpo and Groucho Marx. There has never been physical comedy scene timed better. Duck Soup is the best in a long standing set of films from the Marx Brothers, as well as one of the finest comedic films of all time.

What is also great about this comedy is that it is boldly political without an agenda or party affiliation. I have seen two presidential administrations come and go since my first viewing of this film over ten years ago. Anytime any slip up was made by one of our leaders, my mind instantly went back to Duck Soup and the ideals and antics of Rufus T. Firefly. George W. Bush's occasional mind slips came to mind when Firefly often forgot simply what room he was in. Bill Clinton's stereotypical charm with the ladies is also present in the relationship of Firefly and Mrs. Tisdale. Great comedies stand the test of time, I am not even sure the Marx Brothers knew that we would be satirically comparing them to our past and current world leaders almost eighty years later.

Arguably the greatest comedy team off all-time is on full display in this film. The comedic timing and abilities of the Marx Brothers will most likely never be matched. Their gift to the world was laughter, and that is exactly what Duck Soup delivers. The chuckles might come at a premium, but the political satire is also to be noted. A film like this comes along once in a great while. Duck Soup is easily the funniest film from it's generation and one of the greatest in cinematic history. This film is an essential view from the list thus far. Highly recommended indeed.

207. The African Queen

2010-03-18T14:00:00.000-07:00

The African Queen (1951)

Director: John Huston

Starring: Humphrey Bogart

Katharine Hepburn

IMDb Rating: 8

My Rating: 9

"Dear... what's your first name? ... Charlie! That's a nice name, Charlie."

Rosa Sayer (Katharine Hepburn) and her brother Samuel Sayer (Robert Morley) are missionaries in a village in German Eastern Africa during World War I. The importer of their supplies and mail is Canadian born boat Captain Charlie Allnut (Humphrey Bogart). He warns the Sayer's that the German's and Britain's are at war. It isn't too long until their village is burned to the ground, including the Sayer's missionary. Samuel rebels against the German's and is beaten, which results in a fatal fever. Charlie returns to the village to find it and Rosa in ruins. He offers to help her bury her brother and escape from the village on his boat "The African Queen." Rosa agrees, and they soon start to go down river and leave her home for the last ten years behind.

Once on the boat, Charlie and Rosa start discussing what they are going to do. Charlie happens to mention that a German gunboat is on patrol in a lake far up river. Rosa tries persuading Charlie to sink the German vessel with a make-shift a torpedo. Charlie agrees to the plan, but believes that she will abandon her idea when she sees the rough obstacles that are ahead. Although, his plan seems to backfire as she finds the adrenaline rush of rapids and waterfalls to be exhilarating. The two at first bicker and fight, but soon a romance starts to bloom. As soon as the prospect of love is present, Charlie fully agrees to the plot to sink the gun ship. The adventure ahead of them may be rough, but the two are determined to seek vengeance for a fallen brother and a country that they both desperately love.

Much like the previous film on the 250, The African Queen works mainly with only two actors, Katharine Hepburn and Humphrey Bogart. Of course, with two actors of their caliber, you don't need much else. Hepburn gives one of her most light-hearted and lovable performances. Don't get me wrong, Hepburn is rarely anything but outstanding, but most of her roles show her to be rather shrew. In this film, she actually brings forth a character that you can care about. Bogart is also excellent in his Academy Award winning performance. Here he drops some of his edge, in what I find to be one of his softer roles. You don't see as much vulnerability, like in his famous late night binge drink in Casablanca. It's honestly more of a caring and understanding approach than I am used to with him, but it works wonderfully. Separately Bogart and Hepburn always deliver, but their combined performances here is one of the finest parings in film history.

I was also glad to see that the continent that shares the film title was not forgotten. Much of the film features the beautiful scenery and wildlife of Africa. The waterfalls and rapids that come in the film are equally beautiful and thrilling. Each time The African Queen comes upon one of the obstacles, your heart races just as much as it marvels. Even though some of the shots are shot against a blue screen, it still somehow maintains it's realism. The animals are also a fun addition, with the appearance of hippos, crocodiles, and blood sucking leeches. Director John Huston's additional focus on Africa's rich natural beauties shows that he realizes there is more to be seen on camera than his actors.

This film couldn't come on the list at a better time. The African Queen makes it's United States debut on DVD and Blu-ray disc this Tuesday. Before Tuesday, you would have had to wait for a viewing on Turner Classic Movies (like I did), or pay a costly import fee. The African Queen is by far one of the most entertaining films on the list thus far. Bogart and Hepburn have rarely been better. It would be hard for anyone not to like this film, as there is truly something for everyone. So come this Tuesday, do yourself a favor and spend an evening with this fantastic film.

208. Sleuth

2010-03-16T21:37:00.001-07:00

Sleuth (1972)

Director: Joseph L. Mankiewicz

Starring: Laurence Olivier

Michael Caine

IMDb Rating: 8

My Rating: 7.5

"Remember, be sure to tell them, it was only a bloody game."

Andrew Wyke (Laurence Olivier) is a rich author of mystery novels and great lover of games. His entire house is filled with darts, billiards tables, and other rare and unusual activities. Although, his playful personality extends past the traditional family game nights. When salon owner Milo Tindle (Michael Caine) approaches Andrew about marrying his current wife Marguerite, Andrew puts into place a deceptive game of cat and mouse that appears to have fatal consequences. A few days after Milo and Andrew's encounter, a strange detective shows up at Andrew's door inquiring about a disturbance. Slowly a new game begins, although this time Andrew is the pawn.

Sleuth is one of those films that is almost completely driven by it's script. With only one set and two actors, the dialogue had little room for error. Luckily the script is written brilliantly and is in the very capable hands of Laurence Olivier and Michael Caine. It's rare to see a film made with just two actors and no additional cast members. The two give the screenplay life with equally fantastic performances. Their banter fluctuates from hilarious to terrifying with barely any transition. This makes the film all that more fun, and unpredictable. Olivier and Caine's perfect delivery of the script is definitely where this film shines brightest.

In the case of this film, the set does much of the characterizing and storytelling. The film keeps one singular location intact, only expanding to create an upstairs area with rooms. The statues located around the house, eventually play out to be almost like supporting characters in the film. Such as Olivier's constant use of a cued laughing sea captain to establish his aura madness. I cannot recall a film in which it's set and pieces told just as much of a story than the characters themselves. Even though the way the arrangement of the set seemed like it would be distracting, it eventually proved to be essential to setting up the characters and their unique personalities.

Sleuth proves that solid films can be made with the use of single locations, small casts, and superbly written dialogue. Although, when a film relies on so much dialogue, some viewers might bore easily. I do not, but I could see where some people could. I had seen the remake starring Jude Law and Michael Caine (Caine plays the opposite role than he did in the original) prior to this viewing, and it is nowhere near the caliber of this film. Sadly, Sleuth is out of print on DVD, and as a result has become forgotten. If the opportunity ever arises, I strongly encourage you to see this truly unique and entertaining film.

209. Magnolia

2010-03-10T12:43:00.001-08:00

Magnolia (1999)

Director: Paul Thomas Anderson

Starring: Julianne Moore

William H. Macy

Tom Cruise

Philip Seymour Hoffman

John C. Reilly

Philip Baker Hall

IMDb Rating: 8

My Rating: 9

"and it's not going to stop / 'til you wise up"

Magnolia is a twenty-four hour journey into the lives of two separate groups of people. Earl Partridge (Jason Robards) has cancer, and is very close to dying. He tells his nurse Phil Parma (Philip Seymour Hoffman) that he wants him to find his estranged son, who turns out to be men's self help author Frank T.J. Mackey (Tom Cruise). Earl's much younger wife Linda (Julianne Moore) is out getting the prescription drugs to help ease his pain. She stops by the lawyer in charge of Earl's will to explain that she did not love him at the time of their marriage, and wants to be taken out of the will. The lawyer informs her that since she is listed as sole beneficiary, the money would then go to Frank. This sends her into a fit of rage, increasing even more when she returns home to find that Phil has been instructed to get in contact with Frank.

Meanwhile, television quiz show host Jimmy Gator (Philip Baker Hall), has been informed that he too is going to die. Jimmy goes to visit his cocaine addicted daughter Claudia (Melora Walters) to tell her the news. She is angered at the site of him, and causes a scene as she tells him to leave. The noise from the dispute alerts neighbors and they call the incident in. Police Officer Jim Kurring (John C. Reilly) is alerted to the call, and interviews Claudia in her apartment. After having a cup of coffee, Jim asks Claudia out on a date for that same evening. Claudia accepts the invitation, but it seems only to get Jim out of her apartment.

After leaving his daughter's apartment, Jimmy Gator heads to the studio to host his show, "What Do Kids Know." Here we meet young whiz kid Stanley (Jeremy Blackman) who's verbally abusive father has almost guided his success. Stanley is also two days away from setting the record for continuous days on the show, set by former contestant Donnie Smith (William H. Macy). Donnie's life since the show has been filled with misfortune not limited to having all his prize money stolen by his parents, getting struck by lightning, and most recently getting fired from his job. As each person continues on through the day, their two groups eventually intertwine to become one, all sharing the pain of life and opportunity lost.

As you can see from the description above, there is a lot going on in this film. The script, written by director Paul Thomas Anderson, is amazingly written and is a true look into the struggling human spirit. Where other films details and subplots might become scrambled, Magnolia never once falters. Not once do the stories become confusing or uninteresting. With the multiple stories involving two seperate groups, the three hour run time does go by pretty fast. Although, each story is given equal time to develop and mature, and the film leaves no loose ends to tie up. Given the complexity of Magnolia, I would venture to call it one of the best structured scripts of the last twenty years.

There are so many great performances in this film, but it's actually not difficult for me to single one of them out. Tom Cruise gives the finest performance of his career as Frank T.J. Mackey. When we first meet Frank, he seems to be nothing more than an egocentric alpha-male type. Cruise plays these scenes with incredible amounts of confidence and humor. It isn't until Frank is being interviewed for a television show that the truth behind his life comes out. Cruise's performance quickly goes from comedic, to vulnerable and disturbing. This first transition is excellent, but pales in comparison to when Cruise falls deeper into despair, as he angrily grieves for his father's apparent death. I think film lover's all have that one performance where they feel someone got robbed of an Oscar, Tom Cruise in Magnolia will always be mine.

Even though Magnolia is on this list, I still feel like it is never given the proper amount of respect. It's very rare that an ensemble of actors as talented as this, is paired with such an incredible script. Paul Thomas Anderson has a gift with these large ensemble films, and it has never come across better than it did here. His films have become smaller in scale with his two most recent efforts, and I hope that he eventually goes back to this style of film making. Overall, I encourage you all to watch this film. Every time I go back to it, I find another reason to love it. And if none of what I've said has convinced you to see the film, it eventually rains frogs. That's right frogs.

*Fun Trivia : Can anyone name the two other films where Tom Cruise sings in a car?

not-250: BNinside Article

2010-03-10T08:51:00.000-08:00

This article was featured on my company's in-house website called 'bninside'. Since it is in-house, there is no way of forwarding you to the actual article. So I thought I would post it here instead.

Music/DVD Manager Turns Film Critic
by: Kimberly Miu
In a quest to view and review IMDB’s Top 250 films by the end of the year, Music/DVD Manager Joey Wright is expanding his film knowledge and sales at Store 2188
On his days off, Music/DVD Manager Joey Wright can usually be found parked on his couch in front of the television watching a movie. As a film fanatic, this has become Joey’s side project – he is determined to watch IMDB’s Top 250 films (approximately 500 hours) by the end of the year.
“I’ve scheduled myself to watch five movies a week. On my days off, I’ll try to watch two a day so I can get ahead of myself,” says Joey. After each movie, he posts his review on his blog, http://the-250.blogspot.com/. He believes that this project will help him find new favorite films and a reason to re-watch some of the classics.
The rewards of watching the Top 250 will also be reaped by Joey’s customers at Store 2188 in Altamonte Springs, FL, who rely on him for his opinion about movies and music. “Expanding my personal knowledge about movies will help me hand-sell,” says Joey. “Knowing similar titles and artists to what customers enjoy is the best way to make a sale. When I recommend music titles, I always use the RedDot system, which makes add-on sales a breeze.”
Since joining Barnes & Noble in December 2006, Joey has found the most satisfying part of being a bookseller is building relationships with customers. He has many regulars that always stop by to chat, ask for recommendations and pick up new titles. In one instance, a newly-engaged couple who were regulars in the store (where they also met) asked Joey to pick the music for their wedding. Joey says, “I was honored… I hand-picked several classical wedding CDs for them, which they were very pleased with. They even invited me to their wedding!”
Beyond his regular customers, Joey tries to get to know each customer that enters the Music/DVD Department. He immediately welcomes them with a smile and greeting and uses name recognition whenever possible. His friendly demeanor makes it easy for him to share his growing knowledge of film and music, ultimately leading to sales.
While Joey’s go-to hand-sells are artist Tristan Prettyman (“she’s the female Jack Johnson”) and the movie Casablanca (“it’s still the best movie – funny and romantic!”), he soon plans to create a promotional display for some of the titles in the Top 250 that he wants to share with customers.

210. Stalag 17

2010-03-07T06:52:00.000-08:00

Stalag 17 (1953)

Director: Billy Wilder

Starring: William Holden

Otto Preminger

Don Taylor

Robert Strauss

Harvey Lembeck

IMDb Rating: 8

My Rating: 7.5

"There are two guys in this barracks that know I didn't do it. Me and the guy that did do it."

Stalag 17 is the name of a German P.O.W. camp for American airmen during World War II. Even though the men are prisoners of war, they attempt to keep their own spirits high with things such as volleyball games and gambling on mouse races. One evening two men from Barracks Four attempt to escape, but are killed as soon as they cross under the final barbed wire fence via an underground tunnel. This instance, and many others, start to raise suspicions through out Barracks Four. All the men agree that there must be a spy in their midst giving information to the German officers. They immediately accuse Sergeant J.J. Sefton (William Holden) of being the spy and beat him in his bunk. Sefton knows that he is innocent and begins to unravel the mystery of who the spy could actually be.

Stalag 17 is definitely the most light-hearted movie about war that I have seen. There are just as many comedic elements in this film, as dramatic ones. Much of the humor comes from the performances of Robert Strauss and Harvey Lembeck. They get into all sorts of funny predicaments, like painting a white stripe down the middle of the road so that they can get into the women's P.O.W. camp that is next door. At first all the humor threw me off, but eventually I found that it definitely does belong. Stalag 17 really shows that there can be bright moments even in the darkest situations.

Something that really grabbed my attention was the mental state of the prisoners and the way that their barracks treated them. As some characters slowly being to crack, you saw a genuine concern and comradery much like a family. This wasn't something that built over time either. From the very beginning, you are made aware that these men are a team, and rarely seen as individuals. This element is important because it does establish the story of how it's Sergeant Sefton versus everyone else. As a group the barrack decides to turn their back on him, so he must prove his innocence to the group, rather than just a single individual. This makes his struggle even more rewarding, when his innocence is finally proven.

If you are a fan of director Billy Wilder, this film is sure to find your favor. It contains the classic humorous Wilder appeal, while never compromising it's credibility as a great film. I thought this film was very good, and will probably see it again after finding out the identity of the spy. Overall, this movie is really about the friends you make and the true meaning of family. We eventually all get stuck at some point in life. It's the people you surround yourself with that will help you maintain your sanity, and sometimes they'll even help you to explore your insanity.

not 250 - My Oscar Predictions

2010-03-07T05:54:00.000-08:00

I thought I would post my Oscar predictions for tonight. These are not necessarily the people I want to win, but who I think will win. If I had it my way, Quentin Tarantino would have the night of his life tonight, but I sadly don't see that happening. Here are my predictions for tonight's awards....

BEST PICTURE

The Hurt Locker

BEST DIRECTOR

Kathryn Bigelow

BEST ACTOR

The Dude (Jeff Bridges)

BEST ACTRESS

Gabourey Sidibe

BEST SUPPORTING ACTOR

Christoph Waltz (my favorite performance of the year!!!)

BEST SUPPORTING ACTRESS

Monique

BEST ORIGINAL SCREENPLAY

Inglourious Basterds

BEST ADAPTED SCREENPLAY

Up In the Air

BEST CINEMATOGRAPHY

Avatar

(I had trouble deciding on which picture to use, there were like 9 other movies to choose from.)

BEST FOREIGN FILM

A Prophet

BEST ANIMATED FILM

Fantastic Mr. Fox (upset alert!)

*to my loyal followers (heh), I have been stacking some reviews up so that when I go on my cruise later this week, you have lots to read. enjoy!

211. Rocky

2010-03-01T19:15:00.000-08:00

Rocky (1976)

Director: John G. Avildsen

Starring: Sylvester Stallone

Talia Shire

Carl Weathers

IMDb Rating: 8

My Rating: 8.5

"Nobody's ever gone the distance with Creed, and if I can go that distance, you see, and that bell rings and I'm standin', I'm gonna know for the first time in my life, see, that I weren't just another bum from the neighborhood."

Rocky Balboa (Sylvester Stallone) is a local boxer fighting out of Philadelphia, Pennsylvania who makes ends meet by collecting debts for a middle of the line loan shark. Rocky is well liked and respected through out his community. Every morning Rocky stops by his local pet store to visit the very shy Adrian Pennino (Talia Shire). He has had his eye on her for quite sometime, though she is quite oblivious to this. Through the help of her brother Paulie (Burt Young), Rocky finally secures a date with her. The two go ice skating, and as the evening progresses, Adrian finally starts to come out of her shell. It isn't long after this night, that her and Rocky become a couple.

While Rocky is courting Adrian, he gets an offer to fight the heavyweight boxing champion Apollo Creed (Carl Weathers). Rocky begins his training without any management or professional help. He feels like if he reached this fight alone, he should fight the fight alone. Although, following a late night visit from local boxing trainer Mickey Goodmill (Burgess Meredith), Rocky finally agrees to let someone help train him. With Mickey's help, Rocky gets in top physical condition to face Apollo. The night before the fight, Rocky tells Adrian that he has never felt like he was anything. He knows that if he can last a full fifteen rounds with Apollo, he will finally get the recognition he has been searching for. With the love of Adrian and his never-say-die attitude, Rocky faces Apollo in what turns out to be the fight of both their lives.

Rocky is often viewed as the quintessential underdog sports film, but it's not only about sports. It's also stands up as a timeless love story. Rocky pursues Adrian just as much, if not more, as his dream of being an established fighter. His final fight with Apollo is very reminiscent of his entire relationship with Adrian. In the build up, he couldn't get so much as a word in with either. Apollo talked too much, and Adrian gave absolutely no feedback. Both leaving Rocky short of what he wanted to say. Although once a chance is given, he comes out swinging. With Apollo, Rocky sends him to the falling to the canvas in the first round. Adrian instantly starts falling for Rocky as soon as she sees how caring and attentive he can be. In the end, all that mattered to Rocky was the journey. Whether it was win, lose, or draw he just wanted to prove that he could do it.

Rocky will forever be one of the most inspirational films of all time. It is one of those movies where you cannot help, but root for the guy. In all fairness, Apollo isn't that terrible of a guy. He is generous enough to give Rocky the opportunity many would kill for, yet you still want to see him get clobbered. Also, Adrian and Rocky come together in one of the cinema's most unlikely and classic romances. I found that to be the strongest and most appealing part of the film. Although, someone else could just as easily find the boxing angle to be the best part. That is what has made Rocky so universally appealing over the last thirty years. Each person that sees the film really can take something different from it. It is far from one dimensional. If you have not seen this film, you definitely owe it to yourself to see one of cinema's iconic treats.

212. Bonnie & Clyde

2010-02-28T19:38:00.000-08:00

Bonnie and Clyde (1967)

Director: Authur Penn

Starring: Warren Beatty

Faye Dunaway

Michael J. Pollard

Gene Hackman

Estelle Parsons

IMDb Rating: 8

My Rating: 8

"Some day, they'll go down together/ They'll bury them side by side/ To a few, it'll be grief/ But it's death for Bonnie and Clyde"

Clyde Barrow (Warren Beatty) has just been released from prison, and is turning to a life of bank robbing to avoid the hard times of the Depression. Clyde is very much a Robin Hood type, and he finds his Maid Marian in local Dallas waitress Bonnie Parker (Faye Dunaway). Bonnie is bored with her life at home, and wants out of her town. At first she doesn't quite believe that Clyde is the outlaw he claims to be, so he holds up a local general store. While fleeing, he grabs Bonnie and high tails it out of town. From this moment on, Bonnie and Clyde becomes synonymous with one another.

At first their robberies are pretty tame, no one is hurt, and it's only the banks that are robbed. Although things become increasingly violent as time progresses. They add a gas station attendant, C.W. Moss (Michael J. Pollard), along the way to add to their gang. Once Clyde's brother Buck (Gene Hackman) and his wife Blanche (Estelle Parsons) join up, it gets to be a very intense operation. They are now constantly on the run from police, and are often woken at night with gunshots flying through their windows. With a Texas ranger fast on their heels, Bonnie, Clyde, and the rest of the gang must elude capture before the law's justice is inevitably served.

What I liked most about Bonnie & Clyde was how beautifully shot and blended the film appears to be. The golds and browns are strikingly apparent, giving the film an almost classic sepia tone look. Much like those old time western photos you can get taken at theme parks. The look of the film also makes the appearance of blood much more bold and shocking. In many gangster films, you literally see buckets of blood thrown against walls, and it just becomes excessive. The way the violence and blood is used in moderation, actually makes the action scenes much more intense with this film. The perfect example of this being the very final scene, which is still talked about for it's shock value to this day. The overall look of Bonnie & Clyde is one of this film's shinning high points.

For the first time in the project, I actually do have a complaint. The soundtrack felt a little off for me. In the films' first sequences the music fits quite well, and doesn't seem out of place at all. Although, as the film goes on, I feel that the light-hearted music strips away some of the more dramatic moments. When one of the main characters gets killed, you don't need to play "Hee-Haw-esque" banjo music as their friend's are trying to escape. It was only in these scenes, that the music really took away from the film. It's small details like this, that will completely derail a film for me. Luckily, there are so many amazing things, that the music problem does seem a little insignificant.

The cast of actors in Bonnie and Clyde is a collective treat for the viewer. Faye Dunaway gives the best performance as free spirit Bonnie Parker, who adapts to a life of crime quite easily. Her comedic timing and abilities made you easily fall in love with her, even though she was essentially a villain. Warren Beatty gives arguably the best performance of his career as the selectively confident Clyde Barrow. I loved how Beatty played the vulnerabilities of Clyde's relationship with women and the law. When it came to rebelling against the law he was a ruthless, fearless, and comfortable. Although he was extremely clumsley and an all together mess around women. You think of Warren Beatty as a ladies man, so seeing him like this was ultimately rather humorous. Great supporting characters are also present from Michael J. Pollard, Gene Hackman, and Estelle Parsons. The genuine performances from these fine actors give these "outlaws" a very human demeanor.

Other than the occasional poorly placed music track, I really liked Bonnie and Clyde. This is one of those movies that you could watch over and over again, and it would be just as good every time. It's beautiful cinematography paints a very gritty feel of old Texas. The cast ensembled for the film all turn in great performances as well. The whole time while watching this film, I was wishing that a film like Natural Born Killers would have relied less on the violence, and more on the story. Bonnie and Clyde is proof positive that you can make a great film about outlaws without the immense amounts of film studio blood.

213. Mystic River

2010-02-26T13:34:00.001-08:00

Mystic River (2003)

Director: Clint Eastwood

Starring: Sean Penn

Tim Robbins

Kevin Bacon

Marcia Gay Harden

Laura Linney

Laurence Fishburne

IMDb Rating: 8

My Rating: 9

"It's like I told the girls: their daddy's a king, and a king knows what to do, and does it. Even when it's hard, and their daddy will do what ever he has to for those he loves. and that's all that matters."

It's the summer of 1975 in rural Boston, Massachusetts. Sean Devine, Jimmy Markum, and Dave Boyle are writing their names in a patch of fresh cement, when a car pulls up. The gentleman getting out of the car claims to be a police officer and informs the boys that they are in some serious trouble as a result of their vandalism. The man tells Dave to get in the car so that he can be transported home. Dave is very hesitant, but does as he is told. He is then taken to an abandonded basement where he is sexually abused for several days, before finally escaping into the woods.

Twenty-five years later, the old friends are brought back together when Katie Markum, the daughter of Jimmy (Sean Penn), is brutally murdered. Dave (Tim Robbins) is married to Jimmy's wife's cousin, and Sean (Kevin Bacon) is the lead homicide investigator on the case. As the mystery of the identity of the killer begins to unravel, it appears that Dave might be the prime suspect. He was at the bar she was at the night of her murder, and didn't arrive home until much later than usual. Things become even more suspicious when Dave's car is searched and blood is found inside. With the evidence becoming too overwhelming to not believe, Dave's wife tells Jimmy that she believes her husband may have killed Katie. Now Jimmy must confront Dave, to try and get the real answer of what happened to his daughter.

The mature subject matter of Mystic River is handled perfectly by an amazing ensemble of actors. Sean Penn gives his single greatest performance to date. The scene where he bursts into Katie's murder scene is so intense, you can't but feel a knot in the pit of your stomach. It's not often that an actor wins his Oscar in the first fifteen minutes of the film. You often forget that this silent monster is being played by an actor that we have become so familiar with. Tim Robbins is also excellent in their very different role for him. Never have we seen Robbins so reserved and humbled. Although, no one takes advantage of their screen time like Laura Linney. Her time in the film is very limited, but she steals the film with her evil turn in one of the film's final scenes with Sean Penn. If they are ever to make another film version of William Shakespeare's Macbeth, Linney should be casted immediately. Mystic River excels as a film thanks in large part to it's amazing cast.

Being the age that I am, I know of Clint Eastwood more as a director than an actor. Of course, I have seen Eastwood's classic westerns and action-packed cop dramas. Although, when I see Eastwood, I think of the incredible films when he was behind the camera. Mystic River is without a doubt his masterpiece. The use of dark blues and blacks casts an appropriate ominous tone over the entire film. Each scene is paced perfectly, whether it be a confrontation in a kitchen or an interrogation at a police station. Eastwood is well aware of his subject matter, and conveys his vision better than most directors today.

I will admit that I am guilty sometimes of liking a film too much. Mystic River is a film that I have thought is grossly underrated for years. Even it's representation on this list does not do it justice. This film should be ranked much higher on this list, but I do understand why some people would rate this film lower. What cannot be denied are the excellent performances and masterful hand of director Clint Eastwood. You owe it to yourself to check out this often overlooked film.

214. (500) Days of Summer

2010-02-25T20:33:00.000-08:00

(500) Days of Summer (2009)

Director: Marc Webb

Starring: Joseph-Gordon Levitt

Zooey Deschanel

Geoffrey Arend

IMDb Rating: 8

My Rating: 9

"This is a story of boy meets girl, but you should know up front, this is not a love story."

Tom Hansen (Joseph-Gordon Levitt) is your average hopeless romantic, who fittingly works at a greeting card company in Los Angeles. The moment he lays eyes on the new girl in the office, Summer Finn (Zooey Deschanel), he is instantly in love. The two bond over the English rock band The Smiths on an elevator ride one afternoon, this only increases his attraction for her. Tom attempts to convey his feelings to the oblivious girl of his dreams, but fails to do so just about every time. It isn't until a drunken night of karaoke, that his best friend McKenzie (Geoffry Arend) let's Summer in on Tom's secret. She is ultimately glad to hear that Tom likes her, since she finds him to be very interesting. A few days later in the copy room, Summer kisses Tom without instigation or fair warning. From this moment on, there is no turning back for Tom.

Summer is very up front from the beginning about not wanting a "serious relationship". Tom plays cool, and agrees to just keep it casual. They go to the movies and talk about music like most new couples often do. Almost a year into the relationship, Summer feels that it just isn't working and wants to be just friends. This sends Tom into a spiral of epic porportions full of whiskey and no call-no shows at work. Tom's road to recovery is long and hard, but a chance encounter at mutual friends wedding just might be the spark they need to get their romance going once again. Ultimately, (500) Days of Summer is about having love, losing that love, and once again reclaiming the person that you are.

What sets (500) Days of Summer apart from most romantic comedies is the simple fact that it is good. Scratch that, this movie is great! It takes the ordinary boy meets girl storyline, and gives it a completely new format. The spacing and rearranging of the "500 days of Summer" order, reads like a self help book where we learn new lessons in every chapter. One minute we are at day 290 watching the break-up and then we flashback to other days of happy moments, which Tom can't help but focus on. The film is completely from the view of Tom, and his is ultimately true to how a person's mind works during the fall of a relationship. You jump back and forth between the good, and don't spend nearly enough time focusing on what got you dumped in the first place. The films liberal use of a timeline added that extra bit realism that most romantic comedies are lacking.

Another thing that truly sets this film apart is the plethora of original film sequences. There are quite a few I could talk about, but I really want to focus on two of them. Throwing realism out the window for a second, after Tom and Summer's first sexual encounter, he is on cloud nine. He leaves his apartment and walks down the street with Hall & Oates 80's classic "You Make My Dreams" playing in his mind. He checks his hair in a car window and sees the reflection of *Han Solo. As he continues down the sidewalk, he is subject to high fives from construction workers and business men. All of a sudden, everyone starts dancing with Tom in sequence. This accounted for my favorite scene at the movies this year, and is easily on my list of favorites of all time. Another scene that I found to be incredible was a split screen "expectations versus reality" sequence at a dinner party Summer hosts. On the right side of the screen we see what Tom expects to happen at the party, directly in sequence on the left is the reality of what is actually occurring. If nothing else, this scene completely summarizes Tom's fairy tale of idea of romance and relationships. It's heartbreaking, but all together amazing. It is scenes like these two that make (500) Days of Summer not only an enjoyable movie, but a technically superior film.

There were many people that didn't like this film, mainly do to the last scene with Tom and Summer in the park. Whether you wanted the happy ending or the sad ending, you'll have to watch the film to decide. I thought it ended perfectly, although my first impression wasn't one of happiness. My wonderful girlfriend had to put me in my place to make me see the bigger picture. I may understand movies on some higher level, but I am still a fool when it comes to women. I am getting off track here. (500) Days of Summer breathes life into a genre that has become quite stagnant in recent years. It's unique film sequences and perfectly rearranged timeline takes this out of the class of rom-com, and places it with some of 2009's best films. I believe that this film will turn out to be the Annie Hall of my generation. I highly encourage you to see this film.

*author's note: when I am feeling studly, I often see the reflection of Indiana Jones. How many other Harrison Ford character's do people see when they are feeling sexy? And just for fun, I will take this down after a day or so...

215. Manhattan

2010-02-24T14:28:00.000-08:00

Manhattan (1979)

Director: Woody Allen

Starring: Woody Allen

Diane Keaton

Mariel Hemingway

IMDb Rating: 8

My Rating: 8.5

"Chapter One. He was as tough and romantic as the city he loved. Beneath his black-rimmed glasses was the coiled sexual power of a jungle cat. I love this. New York was his town, and it always would be..."

Isaac David (Woody Allen) is a television writer living in New York City. He is currently writing a book on his love of the city. His second wife has recently left him for another woman, but he is currently dating a seventeen year old girl named Tracy (Mariel Hemingway). Isaac's married best friend Yale (Michael Murphy) is currently having an affair with a woman named Mary (Diane Keaton). Isaac and her first meeting does not go well at all. Although, later the two meet at a fundraiser and hit it off very well. They spend the entire evening together talking and strolling around New York, which eventually turns into early morning. They even agree to spend an afternoon together later one day when Yale is previously engaged.

Isaac continues his relationship with Tracy, although he is constantly telling her that she should just move on. Mary and Yale's relationship ends when he wants to make an attempt at making his marriage work. This leads to Yale's suggestion that Isaac should ask her out, which he agrees to knowing that Tracy and his relationship is strained due to the age difference. Isaac then ends things with Tracy, and begins a relationship with Mary that will affect not only himself, but all of the lives around him.

One of the things that I love about this film is the realism in writer and director Woody Allen's story. For instance, Allen's Isaac David is the classic "guy who can never be alone". Without a woman in his life, he just doesn't know how to function. So following his most recent divorce, he goes and finds a naive seventeen year old girl to date. He knows that a twenty-five year age difference at their ages will never work. This allows him to have someone in his life, with little risk of a future just in case the right woman does come along. When Mary shows up, he abandons the relationship with Tracy almost immediately. Allen has always been master at developing characters that are not only authentic, but often reflective of the people watching his films.

New York City has never been one of my favorite cities. I have been numerous times, and always feel rushed and unsafe. Although, this film's New York City is a town that I would never want to leave. The Big Apple's natural scenery allots this film some of the most beautiful backdrops in Allen's grand portfolio. Most apparent is the scene where Allen and Diane Keaton sit on a park bench with the Queensboro bridge in the foreground. It's as if their voices are narrating a thousand conversations just like theirs that have occurred at that very spot. He uses the city much like Frederico Fellini used Rome in his film Roma. There are not many things greater in film, than when a filmmaker takes you on a private tour of the city that they love.

Manhattan might be one of Woody Allen's simpler films, but it's also one of his best. He isn't trying to divulge the meaning of life on us, like I feel that he tends to do in his other films. He is simply telling the story of a guy who cannot be alone and the relationships that enable him to be this way. It's beautifully shot against some familiar and some foreign spots of New York City. The film reminded me a great deal of When Harry Met Sally... So much in fact that if Rob Reiner hasn't sited this film as an influence, he needs to start now. When my project is over, I definitely plan on going back to Manhattan, and maybe I'll give the city another try too.

216. Rope

2010-02-22T19:18:00.000-08:00

Rope (1948)

Director: Alfred Hitchcock

Starring: James Stewart

John Dall

Farley Granger

IMDb Rating: 8

My Rating: 8

"Nobody commits a murder just for the experiment of commiting it. Nobody except us.

Brandon Shaw (John Dall) and Phillip Morgan (Farley Granger) are attempting to pull off the perfect murder. So they strangle their friend David Kentley with a rope, and throw his body in a trunk in the middle of the living room. Brandon meets the death with a sense of accomplishment, where Phillip is instantly paranoid. To further boost their pride, the gentlemen throw a dinner party in David's honor, using the chest as the center piece to place all of the food on. They invite David's father and aunt, as well as David's fiancee. Also in attendance is Rupert Cadell (James Stewart), the former professor of Brandon and Phillip, who was the one who's obscure philosophies put the ideas in the mind of the murders. It doesn't take long before Brandon and Phillips suspicious actions catch the attention of Rupert, and he starts to place together the pieces of a puzzle that he may not ever understand.

One of the most remarkable things about Rope is that the entire film takes place in one room. The film is based on the play by Patrick Hamilton, and stays rather true to the spirit and material of the play. Director Alfred Hitchcock made the correct choice when he kept the film simple and didn't try and expand it past the walls of one room. By doing this, he kept each and every character within ten feet of the dead body at all times. This provided a consistent state of suspense that only built upon itself until the very end. This idea is very similar to Hitchcock's use of trains in his film, which basically traps his characters in one place with each other for long amounts of time. It's no secret that Hitchcock was the master of suspense, but never did he do so much with so very little.

Alfred Hitchcock's Rope came around the middle of his directing career, and is one of my favorite films from the director. It's one of his most original ideas and concepts. The performances are not particularly amazing, but are not terrible by any means. What really comes through with this film is writer Hume Cronyn's excellent screen adaptation and Hitchcock's amazing vision. It by no means holds a candle to Hitchcock's later, and much larger scale, works like Psycho and North By Northwest. Although Rope still stands on it's own as one of the finest efforts from one of film's great storytellers.

217. La Strada

2010-02-21T17:41:00.000-08:00

La Strada (1954)

Director: Federico Fellini

Starring: Anthony Quinn

Giulietta Masina

Richard Basehart

IMDb Rating: 8

Joey Rating: 8

" I don't know for what this pebble is useful, but it must be useful. For if it's useless, everything is useless. "

Gelsomina (Giulietta Masina) and her family have been abandoned by their father, and have very little money. Her mother strikes a deal to sell her to a traveling performer Zampano (Anthony Quinn) for for 10,000 lire. Gelsomina is shown a few tricks to help present Zampano to his audiences better, like playing the trumpet and acting like a clown. Even though Zampano is eager to teach her new things, his methods are very cruel. After a while, she cannot take the beatings and womanizing of Zampano, and she runs away. She comes across a high wire act in a crowded town square, and is instantly mesmerized by the tight rope walker Il Matto (Richard Basehart). Zampano eventually finds Gelsomina, and forces her to come back with him. They end up joining a circus that Il Matto just happens to work for. There Il Matto opens the eyes of Gelsomina to her situation and the man that might not say it, but clearly loves her. That man being the prideful brute Zampano.

La Strada's story is one of innocence and wonder, amidst a world of violence and tragedy. I found the character of Gelsomina to be so naive, that I do not believe she ever realized how terribly she was being treated. Her role, up until her final scenes, is completed mostly in silence. I felt an increased sense of empathy for her as the film progressed. No matter what terrible situation arose, she seemed to find something wonderful in it. Also the character of Zampano shows that sometimes even the strongest person doesn't realize the magnitude of their own power. Without giving anything away, his actions lead to more distruction than even he can imagine. Physically and mentally, he seems to damage everyone and everything in his path. He realizes far too late, what his actions in life have cost him. La Strada is a film full of life's lessons through two very different, but eternally bonded people.

The wonderful thing about director Federico Fellini is that his films are really open to your interpretation. No two reviews of a Fellini film will ever be the same. Each person that dives into one of his films, comes to the surface with a different meaning or lesson learned. It is sometimes nice to not have a clear cut explination as to what a film was about. It is often these films, however simple as they seem to be, that never expire with an audience.

La Strada was Fellini's first major exposure to the United States, where it won an Academy Award for Best Foreign Language Film. It's simple, yet very symbolic story, still stands today as a true cornerstone of Italian cinema. I'll be honest, I was rather bored with the first forty minutes of the film. I found myself wondering in what direction it was headed. Although, once the film gets it's character groundwork laid, it begins to surprise and move you at every corner. I recommend this movie for anyone who liked a future film I will be reviewing, The Bicycle Thief.

218. Little Miss Sunshine

2010-02-20T07:54:00.001-08:00

Little Miss Sunshine (2006)

Director: Jonathan Dayton & Valarie Faris

Starring: Greg Kinnear

Steve Carrell

Toni Collette

Paul Dano

Abigail Breslin

Alan Arkin

IMDb Rating: 8

My Rating: 8.5

"Losers are people who are so afraid of not winning, that they don't even try."

Olive Hoover (Abigail Breslin) has just won a spot in the Little Miss Sunshine beauty pageant, after her competitor at a regional competition was disqualified "do to diet pills or something." After much debating between her parents Richard and Sheryl Hoover (Greg Kinnear and Toni Collette), it is decided that they cannot afford to fly and must drive from Albuquerque, New Mexico to Redondo Beach, California. Sheryl's brother Frank Ginsberg (Steve Carrell) has just been released from the hospital after a failed attempt at suicide, due to a recent firing and lost love. Frank can not be left alone, so he must come as well. Also coming along, are Olive's brother Dwayne (Paul Dano), who has taken a vow of silence until he achieves his dream of being a pilot, and her coach and grandfather Edwin Hoover (Alan Arkin), who has the mouth of a sailor and has recently started using drugs because at his age, "you are crazy not to." The often dysfunctional family has a long road ahead, filled with hilarious trials and heart-breaking tribulations.

What makes Little Miss Sunshine such a success is it's eccentric cast of characters. Abigail Breslin will forever be remembered for her role as Olive Hoover, in which she did receive an Academy Award nomination. She is the voice of comfort and the window of joy for everyone around her. Olive is basically the glue that held her whole crazy family together. As her coach and grandfather, Alan Arkin easily steals every scene that he is in. His often hilarious commentary might be crude, but it's his moments of sincerity for his family that complete the man. The performance that sticks out for me the most though was that of Paul Dano. He doesn't say a word until about the hour and fifteen minute mark of the film. Although, when he finally speaks, this supposed unemotional and jaded character turns out to be just as insecure and scared as we all were at seventeen. The performances by Steve Carrell, Greg Kinnear, and Toni Collette were also very good, but it was Breslin, Arkin, and Dano that embodied this film for me.

Little Miss Sunshine is one of my favorite films about family. When I was growing up, we were much more like the Hoover's than the *Cleaver's. So I found this film hitting rather close to home. This isn't a film with amazing visuals and epic sized score. It's simply about the up's and down's of the family dynamic. Whether family to you is your friends or your actual blood relatives, some days will be great, and some will be bad. At the end of the day though, these are the people who will back you up no matter what. This film shows that if you are privileged enough to have this, there are not many things in this world that you cannot accomplish.

*For all of you youngsters out there, The Cleaver's were the family on 1950's television sitcom 'Leave It to Beaver'.

219. The Diving Bell and the Butterfly

2010-02-18T14:40:00.000-08:00

The Diving Bell and the Butterfly (2007)

Director: Julian Schnabel

Starring: Mathieu Amalric

Emmanuelle Seigner

Anne Consigny

IMDb Rating: 8

My Rating: 9

" I decided to stop pitying myself. Other than my eye, two things aren't paralyzed, my imagination and my memory."

The Diving Bell and the Butterfly is the story of Jean-Dominique Bauby, the former editor of Elle magazine, who suffered a massive stroke that left him completely paralyzed at the age of forty-two. The film is shot almost entirely through the first person perspective of Bauby. Although, as the film progresses we do get to see Bauby as his friends and therapists see him. He communicates through someone reading the alphabet letter by letter, while he blinks once for 'yes' and twice for 'no'. With the assistance of an interpreter, he begins to write the story of his life and his current situation. We hear his inner most thoughts, see his greatest fantasies, and flashback to some of the moments of his life. The Diving Bell and the Butterfly is a tragic, yet inspirational story of the abilities of life and the human spirit.

Director Julian Schnabel's vision for the book by Jean-Dominique Bauby is absolutely incredible. The concept of showing the film through the eyes of Bauby was undeniably the correct choice. It makes the scenes later in the film, when we see Bauby through the view of his loved ones, that much more effective and personal. What's more amazing than the concept, is how Schnabel put it into action. The often shakey and blinking camera shots feel truly authentic as the first-person view of a stroke victim. The shakes might take a few minutes to get used to, but they never get too overbearing or distracting. The filming of The Diving Bell and the Butterfly is remarkably original and a genuine visual treat for it's audience.

The true heart of this film lies within Mathieu Amalric's incredible portrayal of Jean-Dominique Bauby. Some might argue that there isn't much of a performance here, since he is laying in a bed for a good portion of his time on screen. Yet he accomplishes more from his voice-work and moving one eye, than most actors do in a film. I was surprised to see how a performance with such limitations could move me as much as it did. Almalric gives us one of the most unique and incredible performances of the last few years.

I am actually a little disappointed with myself for not seen The Diving Bell and the Butterfly before today. This remarkable film definitely made me want to read the book by Jean-Dominique Bauby. His story leaves you looking at your life and inspiring to do more. The unique vision from director Julian Schnabel is really what sets this film apart from other inspirational stories though. It's very difficult to create an original film these days, but Schnabel achieves this with excellent results. If you liked films like My Left Foot, you would greatly enjoy this truly amazing story and gorgeous visual film.